After making vital contributions to the ECM collaborations of Lena Willemark and Ale Moller, Swedish multi-instrumentalist and composer Mats Eden brings his folk revival sensibilities to this leader date from 1999. He joins longtime musical partner Jonas Simonson in paying homage to many great fiddlers, including Artbergs Kalle Karlstrom and Lejsme Per Larsson, and old-time masters Torleiv Bjorgum and Anders Rosen. The latter revived the use resonating strings, which Eden took on himself in developing a custom instrument called the bordunfiol, or drone-fiddle, featured prominently in Milvus.
A typical organ-led instrumental rock album from 1970, On the Way to Eden was Eden Rose's sole LP. Despite the strong filiation between Eden Rose and Sandrose (both groups have the same lineup), the two of them could hardly be more different. Instead of the latter's symphonic progressive rock, Eden Rose's music is a bluesy kind of rock influenced by Procol Harum, Savoy Brown, and early Atomic Rooster. Keyboardist Henri Garella runs the show, penning down all the tracks and playing lead. A very good organist (and already a sought-after session man at the time), he plays fast solos, knows how to make his chords sound dirty (and/or cheesy), and how to groove on the Hammond, but his writing cruelly lacks originality…
Just because it took them 13 years to deliver a studio sequel to their 1994 live album Hell Freezes Over, don't say it took the Eagles a long time to cash in on their reunion. They started cashing in almost immediately, driving up ticket prices into the stratosphere as they played gigs on a semi-regular basis well into the new millennium…
Just because it took them 13 years to deliver a studio sequel to their 1994 live album Hell Freezes Over, don't say it took the Eagles a long time to cash in on their reunion. They started cashing in almost immediately, driving up ticket prices into the stratosphere as they played gigs on a semi-regular basis well into the new millennium…