…On this release Reiner and his orchestra are in glorious form. The quality of these Strauss family waltzes can survive even the most inept amateur and hand-organ grinder. In the hands of Reiner, however, the waltzes sound marvellous and are a real joy. Reiner was conducting in Vienna as early as 1915 and one can clearly hear that the Viennese stamp of authenticity is attached to these performances. The spirit of Vienna is also perpetuated with the Chicago Symphony having several Vienna-trained members at the time of these recordings. Reiner is able effortlessly to adapt to the contrasting moods and fast-changing tempos. He manages to deliver real excitement and an anticipation of what is to come next. He knows how to obtain the slight buoyancy on the second beat, an almost inaudible accent after an almost inaudible pause…
Eugen Jochum (1 November 1902 – 26 March 1987) was an eminent German conductor. He became famous primarily as an interpreter of Anton Bruckner's works. He became the first conductor to perform a complete recording of the nine symphonies of this composer.
Simon Rattle has recorded a lot of 19th century music and most of the results have been dismal. There is little to recommend by Rattle in pre-20th century repertoire. A few Haydn symphonies, some pretty good Brahms, bits of Mahler, Ein Heldenleben by Strauss which is just at the cusp of the 20th century. Alright, so Rattle is not the conductor to go to for the great classics. However, when he records modern music, he seems fully in tune with it's sound and style, plus he has less competition on the market to boot.
The first of Dvorak's nine symphonies and the last of his symphonic poems come here in a generous coupling, both of them among the longest works he ever wrote in each genre. The only rival version of the symphony on CD is the Kubelik, and that only comes in the six-disc DG set of the complete cycle. As for The Hero's Song, this is a real rarity. It is in fact the very last orchestral work that Dvorak wrote, in 1897 some seven years before his death. Unlike earlier symphonic poems, it has no specific programme, though the journey from darkness to light in the unspecified hero's life is clearly enough established.
The compact disc, as a sound carrier, was still on the horizon when Herbert von Karajan urged his record company to utilize the new digital technology in his recordings. Consequently Karajan's Magic Flute, recorded in 1980, became the first release of a Deutsche Grammophon digital production and was first released on LP. By the time the maestro died in 1989, the CD had finally replaced the LP as the primary sound carrier, yet he was realistic enough to know that the pioneering early stages of the digital era would be followed by further technical development. This is reflected in Karajan Gold. In this series the later development of the digital process that occurs after Karajan's death could be turned to the benefit of the Maestro's own recordings. Thirty releases from the early digital era were remastered for this series using DG's special Original-Image Bit-Processing technology. They were issued between 1993-1995.
Richard Strausss original working title for the work was My home. A symphonic portrait of myself and my family and was intended as a homely sequel to Ein Heldenleben (1898). Instead of the heros struggle for supremacy, Symphonia presents a portrait of a family, with the husband, wife and child each characterised by themes.