Electro Pal

Elektrolux presents the fantastic Chill Out Album "Silk" by George Pallikaris aka "G. Pal". George is well known for his deep Housetraks on labels likeYoshitoshi, Ovum, Bedrock, Low Pressings or latest with his album on Plastic City. With his full length Chill Out Album on Elektrolux he surpriseswith laid back and mellow Tracks that reflect a deep and positive warm mediteranean vibe with complex structures. "Silk" is the perfect Soudtrack for almost any occasion, a summerday at the beach, in the garden or even for a barbecue. Especially at night under the stars, the tracks will unfold their magic spirit…

Greatest-hits compilations usually signal the end of a band, and Ministry appears to be no different. Tapes of Wrath taps into the rise and demise of this innovative and aggressive Chicago horde: from early aggro ("Over the Shoulder," "Flashback") to the top of the slag heap ("Burning Inside," "Jesus Built My Hotrod") into eclectic obscurity ("Lay Lady Lay," "Bad Blood"). Like most music video sets, Tapes doesn't exploit the extended DVD format, as many more hours of anything could be squeezed on…

Front Line Assembly (FLA) is a Canadian electro-industrial band formed by Bill Leeb in 1986 after leaving Skinny Puppy. FLA has developed its own sound incorporating elements of electronic body music (EBM) and electro-industrial. The band's membership has rotated through the years, including Michael Balch, Rhys Fulber, and Chris Peterson, all of whom are associated with several other acts…

Una compilation con i maggiori successi tutti da ascoltare nell’imminente 2020 è Hit Mania 2020. La compilation è stata mixata da Luigi Mastroianni. Ecco la cover del nuovo disco, in uscita venerdì 13 dicembre.

Mylène Farmer's fifth live album to date, No.5 on Tour, documents her 2009 tour of France in support of her most recent studio album, Point de Suture (2008). The standard edition of album includes 20 songs spread across two discs, including a bunch of her greatest hits performed in the electro-rock style of Point de Suture. Though some of these songs are also included on her previous live albums, most recently Avant Que l'Ombre…A Bercy (2006), N°5 on Tour stands apart from its in-concert predecessors on account of its new arrangements, abundance of new material, and recording quality so pristine that it sounds as though the album were recorded in a studio with overdubbed interjections of audience noise and stage banter.

Since coming together in 1982, Norwegian pop trio a-ha have established a personal and artistic chemistry that can accommodate three strong personalities. There was a long hiatus after 1993's Memorial Beach and a formal reunion for 2000's Minor Earth Major Sky, followed by two more studio outings. They split again in 2010 to pursue solo careers, but reunited for 2015's Cast in Steel. In 2021, the documentary a-ha: The Movie toured global film festivals. The band's 11th studio album, True North, and its accompanying documentary film appear during their 40th anniversary year. The trio recorded and filmed over three weeks in a studio some 55 miles above the Arctic Circle in Bodø, with the Norwegian Arctic Philharmonic Orchestra conducted by Anders Eljas. Filming was done by Stian Andersen. Half of these 12 tracks were composed by guitarist Pal Waaktaar-Savoy, with the other half by keyboardist Magne Furuholmen. Each man produced his own work.

While the Norwegian jazz scene has been pursuing its own course for decades, the period of 1996-1997 represented a significant watershed, a milestone where an entirely new kind of music emerged, linked to jazz but distanced considerably—some might say completely, but they'd be mistaken—from its roots in the American tradition. Three seminal and groundbreaking albums were released within a year of each other: trumpeter Nils Petter Molvær's Khmer (ECM, 1997); noise improv group Supersilent's 1- 3 (Rune Grammofon, 1997); and, beating the others by a year, keyboardist Bugge Wesseltoft's aptly titled New Conception of Jazz (Jazzland, 1996). All three explored the integration of electronics, disparate cultural references, programming, turntables and—especially in the case of Supersilent, the most avant-garde of the three— noise, to create aural landscapes that were innovative, otherworldly and refreshingly new.