Greatest is a Duran Duran fan's biggest wish come true (next to a live concert, of course)–all their groundbreaking videos together in one place. More than radio, MTV made mega-stars out of the photogenic group, and few took better advantage of the medium, particularly in the 1980s. Just as their music combined the sophisticated pop of Roxy Music with the electro-funk of Chic, each video is as immaculately styled and conceived as the band itself. Like 1998's Greatest CD collection, this two-DVD set features all their big hits, including uncensored versions of "Girls on Film" and "Come Undone." Directors include Godley and Creme, Julien Temple, and Vogue photographer Ellen Von Unwerth and years covered range from 1981's self-titled debut to 1997's Medazzaland. All told: more models, more hair spray, and more mascara than a Paris fashion show–but it's got a better beat (and you can dance to it).
"Connected" marked yet another leap up on Aarset's evolutionary ladder and sits like a prelude to a manifesto. "Connected" perfectly captures Aarset's working method. His musical world is uniquely his, and the vocabulary of his guitar describes it as no one else could. The music has become self-referential, yet manages to retain warmth and openness.
Formed in Germany in the late '90s, contemporary jazz and soul duo Tok Tok Tok feature vocalist Takunbo Akinro and saxophonist Morten Klein. Akinro and Klein first met while studying music in college. After performing in various ensembles, the duo came up with the concept of Tok Tok Tok and began focusing on a mix of acoustic soul, pop, and jazz. They released their debut album, 50 Ways to Leave Your Lover, on BHM in 1999.
Duran Duran personified new wave for much of the mainstream audience. And for good reason. Duran Duran's reputation was built through music videos, which accentuated their fashion-model looks and glamorous sense of style. Without music videos, it's likely that their pop-funk – described by the group as the Sex Pistols-meet-Chic – would never have made them international pop stars…
When Simple Minds released Black and White in 2005, it was obvious they'd been doing some creative soul searching in light of the success of bands clearly influenced by them, namely, the Killers and Manic Street Preachers. 2009's Graffiti Soul saw the return of drummer Mel Gaynor to the fold. He brought a familiar, tight, propulsive foundation to Charlie Burchill's guitar playing and Andy Gillespie's imaginative synths. Jim Kerr's alternately whispering and soaring vocals were still at the fore, but were showcased inside more economical songwriting, and Jez Coad's production celebrated the band's pop identity. Big Music finds Simple Minds coming full circle – going all the way back to 1979 for inspiration. They've rediscovered the urgent, keyboard-driven post-punk futurism of recordings such as Empires and Dance and Sons and Fascination.