Elf Elf

Schumann composed Kreisleriana in April 1838, at the age of 27: “The youthful thing that I can identify with in Kreisleriana is its spontaneity", writes pianist Aaron Pilsan. "If I had to describe the piece, I would use the German word for crazy, ‘verrückt’, which doesn’t just mean crazy, but also to be disconnected from reality. So, crazy, imaginative and intimate… There is a huge connection between these two German composers, as Jörg Widmann was inspired by Schumann’s music a lot and even his musical language is very similar, even though their styles are obviously very different. The starting point for Widmann’s music is from feelings, from the emotions and sentiments and that is where there is a similarity, but not only there. He even quotes Robert Schumann in his tenth Humoreske, taking a bar directly from Schumann’s Geistervariationen."

By and large, singer Ronnie James Dio is best known for singing about "circles and rings, dragons and kings" (to quote the Black Sabbath classic, "Neon Knights") and other related "medieval" subjects during his career…

Eine Frau steht auf dem Balkon und beobachtet das Geschehen auf einem Platz an einem See in städtischer Umgebung; sie fängt mit ihren Blicken die unterschiedlichen Facetten der Szenerie ein, kommentiert sie, macht sich mitunter Notizen und lässt dabei ein Bild der Ereignisse in unserem Kopf entstehen. So ließe sich stark verkürzt der Inhalt von Alfred Zimmerlins Kammeroper Mehr als elf (2013/14) umreißen: «Commedia» nennt der Komponist sein in die Abschnitte «Morgen», «Mittag» und «Abend» geteiltes Stück für Solostimme und verweist damit auf den Horizont, der hier textlich wie musikalisch abgesteckt wird.

There's something about a post-millennium album cover that features a giant blue-horned minion of Satan in pre-pounce with an illuminated crystal ball in its leathery hand that simply warms the soul, and the fact that it adorns a record called Master of the Moon can mean only one thing: Dio. Unlike many in the aging metal community, Ronnie James Dio still possesses the same powerful voice that fueled the genre through its late-'70s and '80s heydays, and the reigning dark prince of Elfdom and two-time Black Sabbath frontman is still capable of writing a killer song or two. MOTM resembles earlier works like Last in Line and Sacred Heart in its ability to buffer those one or two great tracks with seven or eight forgettable ones…

Dio's rock-solid 2000 concept album Magica would have better fit the musical climate 15-25 years beforehand, but a good album is a good album. Ronnie James Dio's band's previous studio effort, 1996's Angry Machines, admirably addressed modern, non-traditional heavy metal topics. But the musically superior Magica is rooted in the dark, mystical themes he perfected on Rainbow, Black Sabbath, and early Dio albums. One important factor is the solid lineup, particularly the return of Craig Goldy, the best guitarist Dio's had in his band besides Vivian Campbell. Bassist Jimmy Bain and drummer Simon Wright also return…

Paul Dessau composed more than 450 works from all the genres, but scarcely a single one of them continues to meet with recognition and representation in today's concert world. The musicians of the Ensemble Avantgarde decided to change this with an impressive overview of the chamber oeuvre of this composer. The young Dessau celebrated great successes with his Concertino in the unusual instrumentation for solo violin with flute, clarinet, and horn already in 1925 and even won a composition prize for it. Dessau himself actually wanted to become a violinist, and Gewandhaus concertmaster Andreas Seidel masters with bravura what at times is a wildly virtuosic solo part.