Elton John Ballads

Although Billy Joel never was a critic's favorite, the pianist emerged as one of the most popular singer/songwriters of the latter half of the '70s. Joel's music consistently demonstrates an affection for Beatlesque hooks and a flair for Tin Pan Alley and Broadway melodies…

With the success of the band Incantation and ethnic South American music in 1982-1983, Chris Rea introduced his sixth album, Wired to the Moon, with the track "Bombollini," which was over six minutes of jungle-sounding drums and the haunting sound of pan pipes. The ethnic flavor continued on the second track, "Touché d'Amour," which was reggae in the unashamed style of lovers rock. However, Rea wasn't going to disappoint his fans altogether, small in number though they were in the U.K., having built a career over several albums of soft rock tracks and midtempo ballads with Dire Straits-style guitar breaks, and the rest of the tracks on Wired to the Moon fell easily into this category, especially "Shine, Shine, Shine" and "Holding Out," which were lovely emotive ballads.

With the success of the band Incantation and ethnic South American music in 1982-1983, Chris Rea introduced his sixth album, Wired to the Moon, with the track "Bombollini," which was over six minutes of jungle-sounding drums and the haunting sound of pan pipes. The ethnic flavor continued on the second track, "Touché d'Amour," which was reggae in the unashamed style of lovers rock. However, Rea wasn't going to disappoint his fans altogether, small in number though they were in the U.K., having built a career over several albums of soft rock tracks and midtempo ballads with Dire Straits-style guitar breaks, and the rest of the tracks on Wired to the Moon fell easily into this category, especially "Shine, Shine, Shine" and "Holding Out," which were lovely emotive ballads. Meanwhile, "Ace of Hearts," the title track, and the final song, "Winning," were soft rock numbers – almost MOR – crying out for daytime radio play or a top-selling commercial artist to cover them (but neither of these came about). Yet again, the record company released just one single from a Rea album.

With the success of the band Incantation and ethnic South American music in 1982-1983, Chris Rea introduced his sixth album, Wired to the Moon, with the track "Bombollini," which was over six minutes of jungle-sounding drums and the haunting sound of pan pipes. The ethnic flavor continued on the second track, "Touché d'Amour," which was reggae in the unashamed style of lovers rock. However, Rea wasn't going to disappoint his fans altogether, small in number though they were in the U.K., having built a career over several albums of soft rock tracks and midtempo ballads with Dire Straits-style guitar breaks, and the rest of the tracks on Wired to the Moon fell easily into this category, especially "Shine, Shine, Shine" and "Holding Out," which were lovely emotive ballads.