Live 8 was a string of benefit concerts that took place on 2 July 2005, in the G8 states and in South Africa. They were timed to precede the G8 Conference and summit held at the Gleneagles Hotel in Auchterarder, Scotland from 6–8 July 2005; they also coincided with the 20th anniversary of Live Aid. Run in support of the aims of the UK's Make Poverty History campaign and the Global Call for Action Against Poverty, Ten simultaneous concerts were held on 2 July and one on 6 July. On 7 July the G8 leaders pledged to double 2004 levels of aid to poor nations from US$25 to US$50 billion by the year 2010. Half of the money was to go to Africa.
This reviewer is a bit torn over how to approach this triple-CD EMI import of Beach Boys material, mostly because it's almost too good at what it does. It does encompass, in its nearly three-hour running time, almost anything that all but the most totally immersed and dedicated fan could want – the only notable exceptions are a handful of tracks from the '70s Brother Records library, such as "Add Some Music to Your Day" and "This Whole World," but even that end is covered decently, with the inclusion of such tracks as "Sail on Sailor," "Marcella,"…
It appears that just when you thought the folks at Discipline Global Mobile had re-released every single King Crimson track in as many configurations as possible, they surprise you with another compilation: 2005's The 21st Century Guide to King Crimson, Vol. 2: 1981-2003. Following in the footsteps of 2004's The 21st Century Guide to King Crimson, Vol. 1: 1969-1974, the second volume combines the best tracks from Crimson's studio albums from the advertised period, as well as mixing in live takes and rarities. When Crimson reconvened in 1980 after an extended hiatus, no one could have predicted that the group would have more in common sonically with Talking Heads and the Police than Yes and Genesis.
When RPWL singer Yogi Lang says (in the liner notes) that "the world depends on our ideals and moral concepts, and so it finally depends on our mental development," one can only hope that the "we" he's referring to is humanity in general, not his band specifically…
Ray Charles' seminal recordings for Atlantic have been boxed once before, as the triple-disc 1991 set The Birth of Soul. That box contained 53 tracks, the best moments of what is arguably the best period of Charles' career, but Rhino/Atlantic's 2005 seven-disc sequel, Pure Genius, doesn't bother with merely the highlights: as its subtitle makes clear, this is The Complete Atlantic Recordings (1952-1959). This is undeniably a major historical release, since it gathers all of the recordings Charles made at his creative peak, not just as a leader, but as a sideman for his saxophonist David "Fathead" Newman and sides he recorded with jazz vibraphonist Milt Jackson.