Eric Dolphy Time

Chico Hamilton - The Complete Pacific Jazz Recordings Of The Chico Hamilton Quintet (1954-1959) {6CD Mosaic MD6-175 rel 1997}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.74 Gb | MP3 @320 -> 906 Mb
Full Artwork @ 600 dpi (jpg) -> 152 Mb | 5% repair rar
© 1954-59, 1997 Mosaic / Pacific Jazz / Blue Note / EMI-Capitol | MD6-175
Jazz / Cool / West Coast Jazz / Bop / Drums / Percussion

The original Chico Hamilton Quintet was one of the last significant West Coast jazz bands of the cool era. Consisting of Buddy Collette on reeds (flute, clarinet, alto, and tenor), guitarist Jim Hall, bassist Carson Smith, and the drummer/leader, the most distinctive element in the group's identity was cellist Fred Katz. The band could play quite softly, blending together elements of bop and classical music into their popular sound and occupying their own niche. This six-CD, limited-edition box set from 1997 starts off with a Hamilton drum solo from a 1954 performance with the Gerry Mulligan Quartet; it contains three full albums and many previously unreleased numbers) by the original Chico Hamilton band and also has quite a few titles from the second Hamilton group (which has Paul Horn and John Pisano in the places of Collette and Hall).

Terence Blanchard and Donald Harrison continued their homage to the Eric Dolphy/Booker Little duo with a second set of performances recorded at Sweet Basil. They featured "Fire Waltz" and "Bee Vamp," two more tunes the duo immortalized during their Five Spot performances. Their versions are well-intentioned, frequently exciting, and superbly played. But they are not transcendent for the simple reason that Harrison lacks Dolphy's fluency on either alto sax or bass clarinet, and Blanchard does not possess Little's command of the upper register or his embouchure. That is not a knock; they certainly clicked with the rhythm section of pianist Mal Waldron, bassist Richard Davis, and drummer Ed Blackwell, who did play on the originals. Both of these volumes are highly recommended, but if you have not heard the originals, do whatever it takes to get them.

The much loved 100 Hits range is back in a brand new sleek slim digipak housing 5 discs of your favourite tracks from the Golden age of Jazz featuring incredible tracks from the finest of the era such as Chet Baker, Thelonious Monk, Louis Armstong and many more in this timeless collection.

18 original albums on 10 CDs.
The early recordings of pianist and composer Herbie Hancock, as well as important publications by some eminent colleagues: Donald Byrd, Pepper Adams, Al Grey, George Coleman, Max Roach, Grant Green, Jimmy Heath, Miles Davis, Lee Morgan, Sonny Rollins, Wayne Shorter, Jackie McLean, Hank Mobley, Ron Carter, Eric Dolphy, and Kenny Dorham.

Frank Zappa’s two complete Halloween shows in Chicago, recorded on 31 October 1973, are out now as Halloween 73, via Zappa Records/UMe.

John Coltrane - The Impulse! Albums: Volume One (2007) [5CD] {Verve Originals Series Remaster}
EAC Rip | FLAC (tracks+.cue+log) - 1,20 GB | Scans TIFF - 471 MB | MP3 CBR 320 kbps (LAME 3.98) - 422 MB
Genre: jazz | RAR 5% Rec. | Label: Verve / Impulse! | 2007 Verve Originals

Each album newly remastered from the original master tapes. The set containing these five classic, influential John Coltrane albums: Africa/Brass (1961), Live At The Village Vanguard (1961), Coltrane (1962), Duke Ellington & John Coltrane (1962), Ballads (1962). If you like jazz and you don't own this then your a mug. Coltrane plays like a nutcase on this record. Coltrane is undoubtedly the scariest pair of lungs to ever touch a Sax. The whole album drags every emotion from your soul and creates something which will either make musicians hesitant to pick up their instruments or forever play with an unimaginable, inexplicable love for this insane thing called music.

Here is an interesting and not paradoxical combination: Bennie Maupin on Cryptogramophone. Maupin hasn't been heard from as a leader since 1998 on his fine, funky, Driving While Black. That doesn't mean he hasn't been busy; he's played on records by Chick Corea, the Headhunters, George Cables, Victor Bailey, David Arnay, Mike Clark, and others. He was also part of DJ and producer Carl Craig's revolutionary Detroit Experiment. Penumbra is all his, however, and aside from Jewel in the Lotus, it may be the finest outing in his catalog as a leader. Maupin plays his usual array of instruments – tenor, soprano, flute, bass clarinet, and piano. He is joined by the excellent bassist Darek Oleszkiewicz (also known as "Oles"), drummer Michael Stephans, and Darryl "Munyungo" Jackson on percussion. Rhythm is the key here, as all of these 14 compositions are rhythmically propelled. Maupin's compositional frame has been informed by all of his teachers, most notably John Coltrane, Sonny Rollins, and Yusef Lateef. Modal motifs can be heard in most pieces, and Maupin's playing around and through the rhythm makes for infectious and quietly dramatic listening. Restraint is a key element of all the tracks on this set. Tunes don't "swing" per se, but they are excellent examples of the deep interplay of the ensemble.

John Coltrane - In Europe (2001) {3CD Set Charly Records ‎SNAJ701CD rec 1961-1965}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 861 Mb | MP3 @320 -> 500 Mb
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© 1961-65, 2001 Charly Records ‎| SNAJ 701 CD
Jazz / Post Bop / Avant-Garde Jazz

Live compilation for one of the 20th Century's most important & influential musicians. Recorded between 1961 & 1965 during several truly memorable European concerts made between 1961 & 1965. The classic performances feature Coltrane in company with McCoy Tyner, Jimmy Garrison & Elvin Jones. On three tracks the legendary Eric Dolphy joins the most famous quartet. Includes 'Naima', 'Impressions' & two contrasting & extended performances of the evergreen 'My Favorite Things', plus an awesome 48-minute performance of Coltrane's undisputed masterpiece, 'A Love Supreme'. Three & a half hours in length. Each disc comes in it's own wallet & come housed together in a compact box. The sets illustrated booklet includes detailed background notes & a re-analysis of these seminal recordings by leading jazz writer & historian Stan Britt, plus a full discography.