Eric Dolphy Time

Ornette Coleman - Beauty Is a Rare Thing: The Complete Atlantic Recordings (1993) {6CD Box Set Rhino R2 71410 rec 1959-1961}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.45 Gb | MP3 @320 -> 998 Mb
Full Artwork @ 300 dpi (jpg) -> 105 Mb | 5% repair rar
© 1959-61, 1993 Atlantic / Rhino | R2 71410
Jazz / Avant-Garde Jazz / Free Jazz / Saxophone

While it's true this set has been given the highest rating AMG awards, it comes with a qualifier: the rating is for the music and the package, not necessarily the presentation. Presentation is a compiler's nightmare in the case of artists like John Coltrane and Ornette Coleman, who recorded often and at different times and had most of their recordings issued from the wealth of material available at the time a record was needed rather than culling an album from a particular session.

John Coltrane - The Complete Africa/Brass Sessions (1961) {2CD Set, Impulse! IMP 21682 rel 1995}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 611 Mb | MP3 @320 -> 214 Mb
Full Artwork @ 300 dpi (jpg) -> 50 Mb | 5% repair rar
© 1961, 1996 Impulse! / MCA Records / GRP Records | IMP 21682
Jazz / Modal Music / Post Bop / Experimental Big Band / Saxophone

Very unusual work by Coltrane – sessions that feature his classic quartet playing in front of larger orchestra backings conducted by Eric Dolphy! The tracks feature Trane leading a group young modernists through a set of larger arranged charts, woven tightly together in a soulful spiritual groove that's similar to some of Max Roach's projects like this from the same time. Players include Booker Little, Eric Dolphy, McCoy Tyner, Elvin Jones, Reggie Workman, and Julius Watkins – and this 2CD set features all of the material that was issued on the first album, plus other tracks that came out during the 70s. There's a total of 8 cuts in all – and titles include "Song Of The Underground Railroad", "Blues Minor", "Africa", "The Damned Don't Cry", and "Greensleeves".

The great bassist and composer Charles Mingus had his diehard supporters and detractors. His explosive intermingling of devil may care attitude, imposing character and aggressive music was sure to rub some listeners the wrong way and was just as likely to attract adventurous fans. But his genius could not be denied; it just may have taken some time to break down barriers.

A fascinating collection of mostly instrumental live and studio material recorded by the original Mothers of Invention, complete with horn section, from 1967-1969, Weasels Ripped My Flesh segues unpredictably between arty experimentation and traditional song structures. Highlights of the former category include the classical avant-garde elements of "Didja Get Any Onya," which blends odd rhythmic accents and time signatures with dissonance and wordless vocal noises; these pop up again in "Prelude to the Afternoon of a Sexually Aroused Gas Mask" and "Toads of the Short Forest." The latter and "The Eric Dolphy Memorial Barbecue" also show Frank Zappa's willingness to embrace the avant-garde jazz of the period. Yet, interspersed are straightforward tunes like a cover of Little Richard's "Directly From My Heart to You," with great violin from Don "Sugarcane" Harris…

The Latin Jazz Quintet had an odd history. The short-lived group, which had quite a bit of turnover during its life, is today best-known for two sessions (one for New Jazz and a more obscure set for United Artists) in which it was joined by Eric Dolphy. Those two dates (particularly the New Jazz outing) found Dolphy largely ignoring the Latin Jazz Quintet and vice-versa; at no time does the adventurous soloist and the more conventional ensemble react to or even acknowledge each other! Conga player Juan Amalbert was the original leader of the LJQ with the lineup on their first recording (the Dolphy New Jazz date) also including vibraphonist Charlie Simmons, pianist Gene Casey, bassist Bill Ellington, and Manny Ramos on drums and timbales…