This 60th Anniversary 60-CD Deluxe Edition celebrates RCA Victor's signing of Elvis Presley-The King of rock 'n' roll. Features all of the albums Elvis recorded and RCA released in his lifetime: studio, soundtrack, and live. It also includes compilations released that featured unreleased songs or songs new to the LP format.
Despite its title, this was actually the third album by Buddy Rich's still-new big band. The recording is taken from two different periods that, although only five months apart, find the band undergoing some major turnover; only six of the 15 sidemen are the same. With such players as altoist Ernie Watts, trumpeter Chuck Findley, and usually Jay Corre on tenor, this was a strong outfit. Most of the material (other than "Chicago" and "I Can't Get Started") was new; among the high points are "The Rotten Kid," "New Blues," and the complex "Diabolus."
Decca was a fairly wide-ranging label whose trademark sound was a strain of commercially palpable hillbilly pop perfected by producer (and, beginning in 1958, label head) Owen Bradley. These three discs offer an assortment of stars (Patsy Cline, Buddy Holly, Bill Monroe, Loretta Lynn), subordinates, and the uncelebrated. The latter, in fact, are what makes this box stand out. A great deal of the fun comes from antiquated time pieces like Johnny Wright's "Hello Vietnam" ("I hope theworld will come to learn/That fires we don't put out will bigger burn") or that master of the hayseed soliloquy Red Sovine's "If Jesus Came to Your House" ("Would you have to change your clothes before you let him in?/Or hide some magazines and put the Bible where they'd been?"). Overall, From The Vaults serves as an evocative sampler of what a rural jukebox was playing when Gunsmoke ruled the tube.