Eros Ramazzotti stretches his wings and covers a wider variety of styles on his 1996 album Donde Hay Musica. This outing is much less rock-oriented than the previous Todo Historias. The album opens with the pop feel of the title track and never really ventures into the guitar-laden territory that dominated his previous effort. Standout cuts include the ballads "Yo Amare" and the beautiful "Casi Amor," as well as the album's closer "Buena Vida." Other high points include "Este Inmenso Show," which is upbeat, bears a hip-hop influence, and ends as a soaring, gospel-tinged number complete with a saxophone. "Yo Sin Ti" finds Ramazzotti exploring more Latin sounds, and the result is a pleasant, sunny, and breezy offering. "La Aurora" is also a good song, finding Ramazzotti sounding somewhat like Phil Collins. The only problem with "La Aurora," however, is that it sounds a tad too similar (especially in the chorus) to his earlier hit "A Medio Camino" (from the Todo Historias album). If it worked once, it will work again, correct? Not entirely, because this album is, first and foremost, a departure from his earlier sounds and makes for quite a pleasant listening experience.
Chasing The Dragon's first "Direct Cut" album was of the Interpreti Veneziani performing a wonderful version of Vivaldi's Four Seasons. When chatting with Paolo, the orchestra's organizer, CTD discovered the group had never taken part in a 'live' recording. They have always performed in the San Vidal Church which is in the Accademia area of Venice. The acoustics in the church are outstanding. So after some discussion with the orchestra, they were convinced to record a live double album there. This would mean that a small crew would have to go to Venice and record 5 live concerts. It's a dirty job, but somebody had to do it! The jump factor of this album really has to be heard!
"Lava", "La Diva", "Bel Canto" - these are the names of some of Simone Kermes' highly praised and successful albums. Their new album "Inferno e Paradiso" is thematically about "Heaven and Hell" about "Virtues and Deadly Sins" - musically illustrated with 14 titles from four centuries from baroque to rock, from Bach to Sting, from Vivaldi to Led Zeppelin.
Simone Kermes is a highly idiosyncratic performer who delights in pushing the boundaries of good taste, often unafraid to inject her singing with a grab bag of vocal tricks. So it’s surprising that her latest release is that most standard of offerings, one to put next to your favourite singer’s Verdi or Puccini disc – the Handel recital.