The majority of trumpeter Joe Magnarelli's leader dates have been no-nonsense, straight ahead quintet outings, so on the surface, it might appear that he's settled into something of a rut. But appearances can be deceiving. Only those who haven't heard Magnarelli's albums would think such a thing. For with each one, he's managed to peel back another layer, revealing new aspects of his artistic persona while also building on his previous work. Magnarelli is living proof that you don't need to chase trends or get caught up in haughty conceptualizing in order to prove your worth in the jazz universe…
Thelonious Monk was having a rough time of it during the latter 1960s. Experiencing health and some economic problems, he was also in dispute with Columbia Records, whose marketing department was trying to re-create him in the image of a rock star (see the cover of Underground). On top of this, he had lost his core rhythm section, bassist Larry Gales and drummer Ben Riley. For his eighth European tour, the pianist hired young, unknown players as accompanists for himself and saxophonist Charlie Rouse: Berklee music school student Nate "Lloyd" Hygelund on bass and 17-year-old drummer Paris Wright - son of bassist Herman Wright. This date was recorded on the last night of the tour at the 3,800 seat Salle Pleyel (the same theater in which a far lesser-known Monk, playing with a local rhythm section, had bombed badly in 1954), and was filmed for French television broadcast…