Flac Stereo 24 Bit 96 Khz

Monteux/BSO - Tchaikovsky Symphony No. 6 (Pathétique) (1958) 24-Bit/96-kHz Vinyl Rip
Vinyl Rip in 24-Bit/96-kHz | FLAC tracks | Full Scan Covers | MU, FS | 865 MB 3% recovery
1958 | Genre: Classical | Label: RCA Living Stereo "Shaded dog" label | LSC-1901 | Classic Records reissue, US pressing
Listed in TAS issue #75

The recording is first rate. The strings sound luscious and, when called upon, translucent. The bass is ample (good bass drum impact), with double basses clear enough that their many rapid scales keep up with those in the winds and upper strings. This feat is heard rarely on many LPs. LSC 1901 is worth owning for the pure pleasure the brilliant string ensemble provides and for Monteux’s deeply moving interpretation.

( Anthony Kershaw - Audiophilia Classics )

Britten: Four Sea Interludes & Passacaglia (André Previn/LSO)
Vinyl Rip in 24-Bit/96-kHz | FLAC tracks | no cue | no log | Covers | FS, MU, HF | 754 MB 3% rec
1976 | Genre: Classical | Label: EMI | ASD-3154 | UK pressing
TAS Listed

These late era analogue recordings are likely to be well known to many who collected LPs in the 1970s although they will not be quite as familiar as the contents of some of the other GROC series discs.
These are stereo ADD recordings. In the case of the Britten Sinfonia and the Grimes episodes the recordings derive from an LP first issued in dual compatible stereo and SQ quad. That LP was a celebrated hi-fi artefact with the clean satin openness of the LSO strings almost as impressive as the crashingly captured climaxes, growling, thunderous and metallic. Every sound is accommodated in a grand acoustic.

( Rob Barnett - MusicWeb International, 2004 )

Aftermath, first released on 15 April 1966, by Decca Records and ABKCO Records as the fourth British studio album by The Rolling Stones. It would be released on 20 June 1966, by London Records and ABKCO in the United States as their sixth American album. The album proved to be a major artistic breakthrough for The Rolling Stones, being the first full-length release by the band to consist exclusively of Mick Jagger/Keith Richards compositions. Aftermath was also the first Rolling Stones album to be recorded entirely in the United States, at the legendary RCA Studios in Hollywood, California at 6363 Sunset Boulevard, and the first album the band released in stereo.

Crown of Creation was released in 1968 and is the fourth album by the San Francisco rock band Jefferson Airplane. The album peaked at number 6 on the album charts and was eventually certified gold. The David Crosby-penned "Triad" is the only track not composed by Jefferson Airplane. The song was previously rejected for release by Crosby's group The Byrds as being too risqué.

Big Hits (High Tide and Green Grass) is the first official compilation album by The Rolling Stones, released on 28 March 1966, on London Records in the United States and on 4 November 1966, by Decca Records in the United Kingdom. The two releases featured different cover art and track listing. The front cover for the American release w

as used for the rear photo on the UK edition. Wikipedia.

This Record Should Be Play Loud!!!

EVOL was a major leap forward for Sonic Youth, but Sister is a masterpiece, demonstrating the group's rapidly evolving musicality. It's one of the singular art rock records of the '80s, surpassed only by Sonic Youth's next album, Daydream Nation.

–Almusic 5/5

Recorded without the input of either Nico or Andy Warhol, White Light/White Heat was the purest and rawest document of the key Velvets lineup of Lou Reed, John Cale, Sterling Morrison, and Maureen Tucker, capturing the group at their toughest and most abrasive.–Allmusic.