Face Value 2024

Comes in a gatefold double pocket jacket and includes a double-page insert for "Atlantic Records 75th Anniversary" and an "Acoustic Sounds" catalog. Each LP comes in a "Quality Record Pressings" rice paper inner sleeve. There are 2 stickers on the front of the shrink-wrap - "Quality Record Pressings" and a "75 Atlantic Audiophile Series" hype sticker. Some copies have an additional sticker with "AAPA 003-45A". 100% All-Analog Mastered and cut to lacquer from a 1/4" EQ'd Dolby tape copy of the original master tape.

Following the cadence of our previously successful Little Feat releases: “Waiting For Columbus” Super Deluxe in 2022 and “Sailin’ Shoes” + “Dixie Chicken” Deluxe albums in 2023, this new offering 'Feat Don't Fail Me Now' includes the original studio album cut from the analog tapes for the double LP and a newly remastered version plus a previously unreleased live show recording on the 3CD.

“Know What I Mean?” was originally released in 1960 as a collaboration between jazz saxophonist Cannonball Adderley and legendary pianist Bill Evans, along with the rhythm section of the Modern Jazz Quartet, Percy Heath (bass) and Connie Kay (drums). This new edition is released as part of the Original Jazz Classics Series and features remastered audio from the original master tapes. Available on 192/24 hi res digital.

The Pilgrim, Their God and the King of My Decrepit Mountain follows a three-act structure – released by Heavenly Recordings as three four-track EPs – telling the story of a solitary traveller, an ambiguous red creature known as The Pilgrim, on a journey across a mythical landscape of eerie forests, stormy seas and unholy mountains populated by beasts, injured birds and idealised eidolons. A fantastical offbeat fable carried along by Gray’s crisp, heartfelt vocals and the band’s instinctive, idiosyncratic melodies, the project at times feels like the musical equivalent of the paintings of Henry Darger, Henri Rousseau or Philip Guston.

Billie Holiday, born as Elionora Harris and originally named Eleanora Fagan, (* April 7, 1915 in Philadelphia; † July 17, 1959 in New York City) is one of the most important American jazz singers with Ella Fitzgerald and Sarah Vaughan.

HDTT is pleased to present the FIRST RELEASE of these never-before-heard alternate takes of songs on Judy Garland’s well-loved 1956 Capitol album entitled Judy…. After the very successful release of Garland’s first Capitol album in 1955, immediately following a 90-minute CBS television special, the following year it was decided to again pair a Capitol album release with a CBS TV special. This time, the TV show would employ the music from Garland’s second Capitol album, “Judy,” with no separate orchestra for the show itself. In this half-hour show, which aired live on April 8, 1956, Garland performed some songs live to pre-recorded orchestral tracks from the Capitol recording sessions and lip-sync’ed other songs to the pre-existing Capitol recordings that included the vocals…. This HDTT release presents twelve recordings from the original March sessions…

Mixing the heartfelt angst of a singer/songwriter with the cocky brashness of a garage rocker, Ryan Adams is at once one of the few artists to emerge from the alt-country scene into mainstream commercial success and the one who most strongly refuses to be defined by the genre, leaping from one spot to another stylistically as he follows his muse. After the collapse of his alt-country band Whiskeytown, Adams wasted no time launching a prolific solo career, releasing a string of award-winning albums. A prolific collaborator and producer as well, Adams has worked with an eclectic set of artists including Willie Nelson, Fall Out Boy, Cowboy Junkies, Jenny Lewis, and Toots & the Maytals.

Miles Dewey Davis III (May 26, 1926 – September 28, 1991) was an American jazz trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a roughly five-decade career that kept him at the forefront of many major stylistic developments in jazz.

Girl With No Face: Allie X’s fourth album, Girl With No Face, is a daring excavation of her identity. A maniacal journey into the mind of an artist who just spent three years in isolation, refusing any input as she became the solitary producer, writer and creative voice for the first time in her career. “This record documents an intense struggle for power and control – creatively, professionally, mentally and physically,” X explains.