Fast Charlie

Newly re-discovered in our vaults, the original recording sessions for Vince Guaraldi's soundtrack for "You're Not Elected, Charlie Brown" now remastered for audiophiles and Peanuts® fans and election lovers everywhere. All versions of this release include the original 15 tracks of cues from the special - with extended performances available for the first time ever - plus 10 extra bonus tracks never before heard since their recording in 1972.

Charlie Walker - Four Original Epic Albums (2019) {2CD Set, Morello Records MRLL89D rec 1965-1971}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 659 Mb | MP3 @320 -> 242 Mb
Full Artwork @ 300 dpi (png) -> 36 Mb | 5% repair rar
© 1965-71, 2019 Epic / Morello Records / Cherry Red | MRLL 89D
Honky-Tonk / Country / Country-Pop / Nashville Sound

Like so many country entertainers of his era, Charles Levi Walker (born in Copeville, Texas on November 2nd 1926) grew up in rural surroundings, spending his early years picking cotton and being inspired by the sounds of country music. After short spells with Imperial, Decca and Mercury Records he secured a deal with Columbia in mid-1958 and on his first session, June 5th 1958, recorded a new song from the up-and- coming songwriter Harlan Howard, then a fork-lift driver in California. Produced by Don Law, ‘Pick Me Up On Your Way Down’ brought success for both singer and writer. The record climbed to #2 in the US country charts during a 22 week chart run. It also set Charlie Walker’s direction in the many recordings that followed. A honky-tonk hero was born!

Charlie Parker - Bird: The Complete Charlie Parker On Verve (1946-1954) {2005 10CD Box Set Verve-Universal 983 3382}
EAC rip (secure mode) | FLAC (tracks) +CUE+LOG -> 2.71 Gb | MP3 @320 -> 1.79 Gb
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© 1949-54, 2005 Verve / Universal Music Italia Srl | 983 3382
Jazz / Bop / Small Group / Big Band / Saxophone

As a leader, Charlie Parker recorded for Savoy and Dial during 1945-1948 and then for Verve exclusively (at least in the studios) during 1949-1954. This remarkable ten-CD box set, which adds quite a bit of material to an earlier ten-LP set, contains all of these recordings plus Bird's earlier appearances with Jazz at the Philharmonic. The JATP jams are highlighted by Parker's perfect solo on "Oh Lady Be Good," a ferocious improvisation on "The Closer," and a solo on "Embraceable You" that tops his more famous studio recording. In addition, this box has all of the "Bird and Strings" sides, his meetings with Machito's Cuban orchestra, the 1950 session with Dizzy Gillespie and Thelonious Monk, small-group dates (including a 1951 meeting with Miles Davis), odd encounters with voices and studio bands, the famous "Jam Blues" with fellow altoists Johnny Hodges and Benny Carter, and his final recordings, a set of Cole Porter tunes. The fact-filled 34-page booklet is also indispensable. Highly recommended.