Charlie Parker was a pioneer of many of the elements and characteristics that make up the 'classic' BeBop sound, forever pushing the boundaries of tempo, tonality and improvisation beyond the limitations of his time. His influence is only too clear today, and is no better demonstrated than in this spectacular tribute performance. Phil Woods, Red Rodney, Rufus Reid, Roy Haynes and Monte Alexander perform their own collective tribute to the great improviser and composer in this very special live concert from Cannes, 1990.
The hillbilly shuffle and the honky tonk song are still the cornerstones of real country music. Some pioneers, like Ray Price, are getting their due these days, but others, like Charlie Walker, tend to be overlooked.
The facts are these: Charlie Walker's early hits, like Who Will Buy The Wine, Pick Me Up On Your Way Down, Wild As A Wildcat, and Little Ol' Winedrinker Me are simply as good as it gets when it comes to heartbreakin', cheatin', beerhall country music and state-of-the-art hillbilly shuffles. The 154 sides represented in this five-CD collection chronicle the development of Charlie Walker's style from his earliest recordings in 1952 for Imperial Records to his classic sides for Columbia and Epic Records.
One of a handful of musicians who can be said to have permanently changed jazz, Charlie Parker was arguably the greatest saxophonist of all time. He could play remarkably fast lines that, if slowed down to half speed, would reveal that every note made sense.
It's a good idea to avoid reading John Connolly's debut novel on a full stomach. His descriptions of mutilated murder victims give him honorary membership in the gore wars club. Every Dead Thing is a fast-paced piece of fiction from an author whose regular stomping ground is as a journalist for the Irish Times.