Disguised Masters was created more as a sinful pleasure for the die-hard fans, rather then a strange, marketable album, for which the band is usually known. Only a few of the tracks should even be considered metal. Arcturus, being the eccentric bunch they are, instead provide listeners with one new track, "Deception Genesis," which is very similar in style to La Masquerade, and a series of techno/hip-hop/industrial remixes from the aforementioned album. Don't misunderstand, it is an interesting album, just very different. For the most part, it is an instrumental album, minus the new track, the re-recording of Aspera Hiems Symfonia's "Du Nordavind," and the gangsta-rap remix of "Master of Disguise" (who knew Garm had it in him!). This makes a challenging listen for those new to Arcturus and their brand of brain-numbing madness, better known as symphonic metal.
Cardboard sleeve (mini LP) reissue featuring 24bit remastering and deluxe Cardboard sleeve (mini LP) jacket design. Recorded in 1975 at a Munich nightclub, Adams is accompanied by two of his Thad Jones-Mel Lewis Orchestra bandmates: pianist Walter Norris and bassist Georg Mraz, with Makaya Ntshoko capably filling the drummer’s chair. The one-plus set’s worth of music includes the title track, a moving ballad written by Adams and Mraz in honor of Cannonball Adderley, who’d died just five days earlier, and two other Adams compositions-“Jirge,” which the baritone saxophonist introduces by calling it “the most difficult single piece of music we have to work with” and the minor key “Ad Astra.”
Released in 1985, Astra is Asia's third studio album and first without guitarist Steve Howe. While somewhat unfairly regarded in comparison to Asia's first two albums, Astra is nonetheless a solid prog rock …