With almost 13 years and four months between releases – an interminable wait for their devoted legion of fans – enigmatic alt-metal band Tool finally returned at the end of summer 2019 with their long-awaited fifth album, Fear Inoculum. Clocking in at 80 minutes with just seven official tracks, this is less a straightforward rock record and more a mind-bending journey, borrowing a classical approach that trades traditional constructs heard on early radio staples like "Stinkfist" and "Sober" for something akin to movements within a symphony…
With almost 13 years and four months between releases - an interminable wait for their devoted legion of fans - enigmatic alt-metal band Tool finally returned at the end of summer 2019 with their long-awaited fifth album, Fear Inoculum. Clocking in at 80 minutes with just seven official tracks, this is less a straightforward rock record and more a mind-bending journey, borrowing a classical approach that trades traditional constructs heard on early radio staples like "Stinkfist" and "Sober" for something akin to movements within a symphony. Much like the directional shift that occurred around the time of 2001's Lateralus, Fear Inoculum expands on 10,000 Days' alternative, prog-metal jam band design while recapturing some of the excitement and freshness from their commercial peak during the Ænima/Lateralus years…
Fear Inoculum is the upcoming fifth studio album by American rock band Tool. It is the band's first album in thirteen years, due to creative, personal, and legal issues band members encountered since 2006's 10,000 Days. The album is scheduled for release on August 30, 2019.
After an exhaustive five-year litigation battle between the band and their label management, Tool offer up the latest chapter in their musical self-discovery in Lateralus. Make no mistake, this is a prog rock record, reminiscent of King Crimson and Meddle-era Pink Floyd, with a hint of Rush mutated with Tool's signature sonic assault on the ears. Lateralus demands close listening from the first piece onward, as it becomes quickly apparent that this is not going to be an album one can listen to and accept at face value. Complex rhythm changes, haunting vocals, and an onslaught of changes in dynamics make this an album other so-called metal groups could learn from. While some compositions seem out of place, others fit together seamlessly, such as the 23-minute song cycle serving as the climax and resolution of the album…