Figure.drawing.master.class

In this highly-anticipated series, master draftsman Glenn Vilppu shares with you his approach to figure drawing. Each lesson will cover a new stage in Glenn’s process, including: Gesture, Spherical Forms, Box Forms, Cylindrical Forms, Basic Procedure, Modeling Tone, Direct Lighting, and Atmosphere. In this first lesson of the series, Glenn covers the basic foundation of figure drawing: capturing the gesture. Glenn begins with a comprehensive lecture, followed by analyses of gesture in Old Master works. Glenn will then illustrate these concepts in several demonstrations, using a variety of different tools. Next, you will get a chance to apply what you’ve learned in a timed figure drawing assignment. The lesson will conclude with Glenn’s approach to the assignment, allowing you to compare your work with his.

In this highly-anticipated series, master draftsman Glenn Vilppu shares with you his approach to figure drawing. In this second lesson of the series, Glenn covers spherical forms. He begins with a lecture introducing the concept of spherical forms in figure drawing, followed by analyses of spheres in Old Master works.

In this highly-anticipated series, master draftsman Glenn Vilppu shares with you his approach to figure drawing. Each lesson will cover a new stage in Glenn’s process, including: Gesture, Spherical Forms, Box Forms, Cylindrical Forms, Basic Procedure, Modeling Tone, Direct Lighting, and Atmosphere. In this first lesson of the series, Glenn covers the basic foundation of figure drawing: capturing the gesture. Glenn begins with a comprehensive lecture, followed by analyses of gesture in Old Master works. Glenn will then illustrate these concepts in several demonstrations, using a variety of different tools. Next, you will get a chance to apply what you’ve learned in a timed figure drawing assignment. The lesson will conclude with Glenn’s approach to the assignment, allowing you to compare your work with his.

In this series, master draftsman Glenn Vilppu shares with you his approach to figure drawing. In this fourth lesson of the series, Glenn covers cylinder forms. He begins with a lecture introducing the concept of cylinder forms in figure drawing, followed by an analysis of cylinder forms in Old Master works. Glenn will then illustrate these concepts in two figure drawing demonstrations.

In this series, master draftsman Glenn Vilppu shares with you his approach to figure drawing. In this final lesson of the series, you will learn how to add atmospheric tone to your drawings. Glenn begins with a lecture on atmosphere, followed by an analysis of atmosphere in Old Master works. He will then illustrate these concepts in some figure drawing demonstrations. Next, you will get a chance to apply what you’ve learned in a timed assignment. The lesson will conclude with Glenn’s approach to the assignment, allowing you to compare your work with his.

In this series, master draftsman Glenn Vilppu shares with you his approach to figure drawing. Each lesson will cover a new stage in Glenn’s process, including: Gesture, Spherical Forms, Box Forms, Cylindrical Forms, Basic Procedure, Modeling Tone, Direct Lighting, and Atmosphere. In this sixth lesson of the series, Glenn introduces you to the stages of rendering by beginning with modeling tone. Glenn begins with a lecture on modeling tone, followed by a demonstration. He will then take a look at some Old Master works to analyze their use of modeling tone. Next, you will get a chance to apply what you’ve learned in a timed figure drawing assignment. The lesson will conclude with Glenn’s approach to the assignment, allowing you to compare your work with his.

In this series, master draftsman Glenn Vilppu shares with you his approach to figure drawing. Each lesson will cover a new stage in Glenn’s process, including: Gesture, Spherical Forms, Box Forms, Cylindrical Forms, Basic Procedure, Modeling Tone, Direct Lighting, and Atmosphere. In this sixth lesson of the series, Glenn introduces you to the stages of rendering by beginning with modeling tone. Glenn begins with a lecture on modeling tone, followed by a demonstration. He will then take a look at some Old Master works to analyze their use of modeling tone. Next, you will get a chance to apply what you’ve learned in a timed figure drawing assignment. The lesson will conclude with Glenn’s approach to the assignment, allowing you to compare your work with his.