First 絢香

Three CD set. First-ever complete anthology by the 'Beach Baby' harmony pop hitmakers. Featuring both First Class LPs, all singles, pseudonymous releases and numerous previously unreleased tracks including advertising jingles and songs from an aborted 1974 musical. Arguably the ultimate Beach Boys tribute, 'Beach Baby' introduced a new name, The First Class - actually veteran pop hitmaker and songwriter John Carter with the aid of Chas Mills and lead singer Tony Burrows. While other singers and musicians adopted the name to front their music in public, the Carter/Burrows/Mills combination continued to record new First Class material, including a self-titled LP that is quite possibly the finest, most ambitious British harmony pop album of the 70s.

Described as the Swedish answer to the Pierces, sisters Johanna and Klara Soderberg, aka First Aid Kit, blend autumnal folk and wistful '60s Americana, and have gathered a pretty illustrious following since their cover version of Fleet Foxes' "Tiger Mountain Peasant Song" became a YouTube hit back in 2008. As well as releasing their debut single through the Knife's Rabid Records label, they have since made Patti Smith cry with their rendition of her 1979 single "Dancing Barefoot," been courted by Jack White, who invited them to appear on two tracks for his Third Man Records' Blue Series, and now find themselves under the guidance of producer Mike Mogis (Bright Eyes) for their second album, The Lion's Roar. It's an impressive turn of events for a duo that hails from a small suburb of Stockholm, but the follow-up to 2010's The Big Black & the Blue reveals why First Aid Kit have attracted so much attention. Juxtaposing the girls' glorious ethereal harmonies with a genuine sense of melancholy, the bittersweet alt-country of "Emmylou," a tribute to the musical partnerships of Ms. Harris and Gram Parsons, and Johnny Cash and June Carter; the twinkling Mama Cass-esque "Blue"; and the lush acoustics of "I Found a Way" are all beautifully heartbreaking.

Performed across two nights at the Royal Dramaten Theatre in Stockholm in March of 2017, Who By Fire is a theatrical staging of Leonard Cohen’s songs, poems and letters. Conceived and anchored by First Aid Kit, the band are joined by an array of guest artists, two actors, an 8 member band and strings and on two songs a 20 strong choir. An incredibly ambitious undertaking, they selected and sequenced all of the material performed and collaborated with the theatre and their music director to stage and orchestrate the show.

Columbia Records release the fifth studio album by the Swedish folk sibling duo. Released four years after their previous album Ruins, Palomino is an 11 song album and features the singles 'Angel' and 'Out of My Head'. Discussing their new album in a statement, the duo said: “this is the first record we’ve recorded in Sweden since we made our debut album The Big Black and The Blue 12 years ago. We worked with Swedish producer Daniel Bengtson at his lovely studio Studio Rymden in Stockholm. It was such a fun experience. We really let the recording take time, we didn’t want to rush it. It’s probably our most pop sounding record yet.”

First Signal, an ongoing melodic rock project fronted by the inimitable Harry Hess (Harem Scarem), has announced the release of their new album, “Face Your Fears” on February 17, 2022. The new record, their fifth overall, continues the tradition they've now established over the course of their discography of delivering top notch melodic rock perfectly suited for the legendary voice of Hess. For "Face Your Fears", Hess collaborated with producer Michele Guaitoli, who has produced albums by ISSA, Visions Of Atlantis, Kalidia, SheWolf, and many more. (He is also the vocalist for Visions Of Atlantis, Temperance, and ERA.) Guaitoli also plays bass and some guitars on the album in addition to overseeing production.

Swedish sisters Johanna and Klara Söderberg have taken what, in the era of TV talent shows and Internet stars (they were once YouTube sensations themselves), has become a rare path to major-label success. Their hard work and growth within a trusting and nurturing indie label climate have helped develop and mature their sound from the enchanting folk of their debut to the polished Americana that dominates Stay Gold. Making the jump from Wichita to Columbia Records for their third full-length has given the duo the scope to dream bigger, and that's exactly what they've managed here with an assured and comprehensive collection of songs.

It may be hard to believe, but this is the CD debut of this little-known, British progressive record. Released on Decca Records in 1977, the only First Aid album offer a varied, well-arranged and pompous concept album (very often recorded with studio orchestra) based on Nostradamus and his prophecies. The strongest moment of the entire record is 13-minute closing track, the real progressive monster full of inventive guitar and keyboards interplay. This memorable music will surely appeal to all fans of Camel, Yes, Strange Days and Emerson, Lake & Palmer. It should be noted, that 8 years earlier drummer Dave Freeman had played (together with guitarist Allan Holdworth) in very fine, jazzy-progressive band 'Igginbottom.