When Sony/Columbia began its ambitious Legacy reissue project, those who followed their jazz titles knew it was only a question of time before the massive Billie Holiday catalog under their ownership would see the light in its entirety. The question was how? Years before there was a host of box sets devoted to her material, but the sound on those left something to be desired. Would they remaster the material in two- or three-disc sets with additional notes? Would it be one disc at a time? Would the material be issued as budget or midline material or at full price? The last item could be ruled out based on the label's aggressive and very thorough packages of single discs by Charles Mingus, Miles Davis, Duke Ellington, and others.
Pure witchery: barely twelve full moons after the release of their third opus, Dance With The Devil, Burning Witches return steeled and superior with The Witch Of The North, their most fiery and thunderous work to date. An album equipped to become a modern metal classic, a work of reference for honest, true steel. It’s obvious: anyone who manages to deliver such a Witch Hammer after just one year has to have the magic touch. Black magic that is! But that’s exactly what this band have always possessed. For five years the Swiss witches have been putting their occult mark on the international metal world. Not only holding their ground in a male-dominated field, they are also initiating a desperately needed change of power. The triptych consisting of Burning Witches (2017), Hexenhammer (2018) and Dance With The Devil (2020) instantly brought them to festivals like Wacken Open Air, Summer Breeze and Rock Harz Open Air, and the battle cries of these three records are still ringing.