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Spanish edition of Italian Parent Label: New Age Music And New Sounds. Digital high quality recordings of pure nature sound blended with the beautiful music inspired by the nature. Listen and enjoy!
Although best known for the AOR and radio hits from the early 1980s (which included the number ones 'Keep On Loving You' and 'Can't Fight This Feeling'), R.E.O. Speedwagon's long history goes way back to their formation in Champaign, Illinois in 1967. Initially a covers band playing bars and fraternity houses, the initial line-up of Neal Doughty on keyboards, Alan Gratzer on drums and vocals, Joe Matt on guitar and vocals and Mike Blair on bass and vocals, named themselves after the R.E.O. Speed Wagon, a model of American flat-bed truck. By the time they came to record their debut LP for Epic Records in 1971, the line-up had settled around Terry Luttrell on lead vocals, driving force Gary Richrath on guitar and Gregg Philbin on bass, joining Neal Doughty and Alan Gratzer. Although guitarist Gary Richrath has long been an important and influential figure in the songwriting and musical direction of the band, by the release of second LP, "R.E.O./T.W.O.", the band were joined by Kevin Cronin on lead vocals.
The Doobies team up with the Memphis Horns for an even more Southern-flavored album than usual, although also a more uneven one. By this time, Tom Johnston, Patrick Simmons, and company had pretty well inherited the mantle and the core (and then some) of the audience left behind by Creedence Clearwater Revival and John Fogerty, with Johnston songs like "Pursuit on 53rd Street," "Down in the Track," and "Road Angel" recalling pieces like "Travelin' Band," while Simmons' "Black Water" (their first number one hit) evoked the softer side of the "swamp rock" popularized by CCR. Actually, in some respects, given the range of instruments employed here, including an autoharp (courtesy of Arlo Guthrie) and viola, the songs on the original LP's first side suffer somewhat from a sameness that makes What Were Once Vices Are Now Habits a little less interesting than the albums that preceded it.
The Doobies team up with the Memphis Horns for an even more Southern-flavored album than usual, although also a more uneven one. By this time, Tom Johnston, Patrick Simmons, and company had pretty well inherited the mantle and the core (and then some) of the audience left behind by Creedence Clearwater Revival and John Fogerty, with Johnston songs like "Pursuit on 53rd Street," "Down in the Track," and "Road Angel" recalling pieces like "Travelin' Band," while Simmons' "Black Water" (their first number one hit) evoked the softer side of the "swamp rock" popularized by CCR…
The Doobies team up with the Memphis Horns for an even more Southern-flavored album than usual, although also a more uneven one. By this time, Tom Johnston, Patrick Simmons, and company had pretty well inherited the mantle and the core (and then some) of the audience left behind by Creedence Clearwater Revival and John Fogerty, with Johnston songs like "Pursuit on 53rd Street," "Down in the Track," and "Road Angel" recalling pieces like "Travelin' Band," while Simmons' "Black Water" (their first number one hit) evoked the softer side of the "swamp rock" popularized by CCR. Actually, in some respects, given the range of instruments employed here, including an autoharp (courtesy of Arlo Guthrie) and viola, the songs on the original LP's first side suffer somewhat from a sameness that makes What Were Once Vices Are Now Habits a little less interesting than the albums that preceded it…
The Doobies team up with the Memphis Horns for an even more Southern-flavored album than usual, although also a more uneven one. By this time, Tom Johnston, Patrick Simmons, and company had pretty well inherited the mantle and the core (and then some) of the audience left behind by Creedence Clearwater Revival and John Fogerty, with Johnston songs like "Pursuit on 53rd Street," "Down in the Track," and "Road Angel" recalling pieces like "Travelin' Band," while Simmons' "Black Water" (their first number one hit) evoked the softer side of the "swamp rock" popularized by CCR.
Although best known for the AOR and radio hits from the early 1980s (which included the number ones ‘Keep On Loving You’ and ‘Can’t Fight This Feeling’), R.E.O. Speedwagon’s long history goes way back to their formation in Champaign, Illinois in 1967.