Foals Collected Reworks Vol. 1 (2020)

Project: Regeneration Vol. 1 is the seventh studio album by American industrial metal band Static-X, released on July 10, 2020[8] by Otsego Entertainment Group, distributed by The Orchard Music, a subsidiary of Sony Music. It is the band's first studio album in eleven years following Cult of Static (2009), and their first album not on Warner Bros. or Reprise Records. The album features part of the last recordings of deceased front man Wayne Static, who died in 2014, with his role being filled by a new front man credited as "Xer0". Project Regeneration sees the return of the original Static-X lineup—bassist Tony Campos, guitarist and programmer/keyboardist Koichi Fukuda and drummer Ken Jay—and was produced by Ulrich Wild, who has produced and/or mixed all but two albums by the band in the past.

The highly-anticipated bluegrass project from Sturgill Simpson is officially here. Affectionately titled Cuttin’ Grass, the new album was recorded at The Butcher Shoppe in Nashville, with the help of his drummer Miles Miller, producer David Ferguson, Tim O’Brien, Stuart Duncan, bassist Mike Bub, and more.

They Might Be Giants (often abbreviated as TMBG) is an American alternative rock band formed in 1982 by John Flansburgh and John Linnell. During TMBG's early years, Flansburgh and Linnell frequently performed as a duo, often accompanied by a drum machine. In the early 1990s, TMBG expanded to include a backing band. The duo's current backing band consists of Marty Beller, Dan Miller, and Danny Weinkauf. The group is known for their uniquely experimental and absurdist style of alternative music, typically utilising surreal, humorous lyrics and unconventional instruments in their songs. Over their career, they have found success on the modern rock and college radio charts. They have also found success in children's music, and in theme music for several television programs and films. The duo has been credited as vital in the creation of the prolific DIY music scene in Brooklyn in the mid-1980s.

The Art of Intimacy, Vol. 1 is the perfect album for Valentine’s Day season. Jazz trumpeter Jeremy Pelt takes us on a journey through songs expressing tenderness and endearment, while also performing less commonly known standards with his trio. Accompanied by pianist George Cables and bassist Peter Washington, Pelt “pours some old wine into new bottles” as he explores romantic classics like “Always on My Mind” and “I’ll Never Stop Loving You,” and sentiments of love on songs like “I’ve Just Seen Her,” “I’ll Never Stop Loving You,” and “While You Are Gone.” The Art of Intimacy, Vol. 1 is a must have for all you lovers out there!

We are always sitting on a handful of unreleased songs that didn’t make their way to albums. Listening back to these gems we decided to launch a new series entitled Big Crown Vaults and the first volume features the music of Lee Fields & the Expressions. These tunes were cut during the Special Night & It Rains Love sessions.

The present release is the first volume in a series dedicated to Paul Hindemiths (18951963) chamber works includes the first three works in his Kammermusik series together with Kleine Kammermusik written for a wind quintet. This album continues a successful series of recordings of Hindemiths music together with conductor Christoph Eschenbach. This series has earned him, among others, a Grammy award. These recordings of chamber music have been recorded with a group of young promising artists, including pianist Christopher Park and cellist Bruno Philippe who are playing the solo parts in the Concertos, Op. 36.

Boris Giltburg has set out to learn and film all 32 piano sonatas by Beethoven by the end of 2020. The project started as a personal exploration, driven by curiosity and his strong love of the Beethoven sonatas, and the recordings presented in this initial volume display Giltburg’s customary spirit, technical finesse and convey the electric atmosphere of the live recording.

Hans Rott was a composer from Gustav Mahler’s environment who had been unknown or known only by name even to most pundits. Many people have expressed the opinion, perhaps justifiably, that only his tragic fate prevented him from going down in the annals of music as Mahler’s equal and establishing a permanent position in the repertoire. A member of Bruckner’s circle within the music scene in Vienna, he developed a pronounced antipathy towards Johannes Brahms. In view of many of his works, it is difficult to comprehend that during Rott’s lifetime presumably not one of them was performed in public, but that only presentations took place under the aegis of internal conservatory events. With these recordings Capriccio attend to fill the gap with his (some of them reconstructed) orchestral works and document these fascinating world of music for the eternity.