Altoist Arthur Blythe has always loved to play in unusual instrumental settings. His soulful sound and adventurous style are quite flexible and they sound right at home in this set with Gust William Tsilis on bass marimba, Bob Stewart on tuba, and drummer Cecil Brooks III. The performances are lyrical and often melodic, but searching and unpredictable. Blythe contributed eight of the dozen songs (including "Opus 1," "My Son Ra," and "Bubbles") in addition to digging into "C.C. Rider," Thelonious Monk's obscure "Children's Song," "Stuffy Turkey," and "In a Sentimental Mood." In grooves ranging from New Orleans to R&B-ish, along with freer explorations, this is a continually colorful set of high-quality music.
An actor, humanitarian, and the acknowledged "King of Calypso," Harry Belafonte ranked among the most seminal performers of the postwar era. One of the most successful African-American pop stars in history, Belafonte's staggering talent, good looks, and masterful assimilation of folk, jazz, and worldbeat rhythms allowed him to achieve a level of mainstream eminence and crossover popularity virtually unparalleled in the days before the advent of the civil rights movement – a cultural uprising which he himself helped spearhead.
Born Kitty Jean Bilbrew in 1923, White grew up in a musical family, her mother and father being vaudevillian performers. White was a well-trained vocalist with perfect pitch. She was also a good music reader, which allowed her to find studio work. After recording a couple of albums for EmArcy, White even appeared in a number of movies during the early 1950s, including King Creole (with Elvis Presley), Last Train from Gun Hill and The Old Man and the Sea.