After his solo albums “Dance of the Underclass” and “In The Backstreets of Paradiese”, the long out of print album “Saturday Johnny & Jimmy The Rat” is finally released. After his folk-punk era with Roaring Jack and his solo albums, still at home in Australia, Alistair Hulett wanted to express his connection to the rich traditional music of Britain and Ireland.
SMYRNA Recollections - Introduction - This is a short journey into the memory of Izmir before 1922. Throughout this journey you will be hearing only three languages out of many that had echoed on the streets during that period: Turkish, Romaic (Greek) and Jewish Spanish (Ladino). A multicultural folk song parade awaits you to help you visualise Izmir as an almost complete picture.
"Munyon's voice is one you will instantly recognize, it is unique, his guitar/vocal songs are unique, and I have noticed that in the last five years, he has been the most frequent singer in my stereo system. I rank Munyon as one of the top 10 singer-songwriters in the US. God knows how difficult it is to describe greatness, or to explain it, I can just say he’s a great singer, or how good are his lyrics, and you won’t understand until you listen."
Cat Stevens was one of the most popular artists of the '70s. Mobile Fidelity Sound Lab is very proud to present this numbered, limited-edition 3-disc box set containing the hard-to-find Izitso and two titles exclusive to Mobile Fidelity: Back To Earth and Numbers.
Numbers (1975). Subtitled "A Pythagorean Theory Tale," Numbers was a concept album relating to a faraway galaxy, a planet called Polygor, a palace, and its people, the Polygons. The songs presumably told the tale, but as with so many concept albums, listening to Numbers was like hearing a Broadway cast album without having seen the show - something seemed to be going on, but it was hard to tell what…
Though his reputation is based on folk music, in the 1990s John Martyn began saying he was "funky, not folky," and this album proves it. A heady brew of trip-hop, late-night jazz, and heavy rhythms, it was a step away from the primarily smooth jazz of his 1980s work and a quantum leap away from his 1960s and 1970s acoustic music. It's a successful venture, as Martyn's slurry impressionistic vocals were made for this kind of music…