For Warsaw With Love

Polish jazz legend Michał Urbaniak released a new album ‘For Warsaw with Love’ in celebration of the 75th anniversary of the Warsaw Uprising. Album is full of amazing musicians: Herbie Hancock, Marcus Miller, Michael ‘Patches’ Stewart, David Gilmore or Lenny White. The Publisher is the Warsaw Uprising Museum.

From Warsaw with Love is the epic story of how Polish intelligence officers forged an alliance with the CIA in the twilight of the Cold War, told by the award-winning author John Pomfret.

“It is my profound belief that one can discover meaning in life by reflecting on death and the evanescence of our existence. It is only by contemplating death and accepting it that we may find peace of spirit and mind. Such contemplation makes it possible to view death in a different light, to find deeper sense in it, and prepare for its coming. The transition to another dimension, that of eternal life, is a stage that comes as natural to every Christian. This is why my own musical statement about the dead is contemplative in mood, full of hope, optimism, and love…”

In the late 1960s, the composer Michael Nyman coined the term “minimalism” to describe a new musical aesthetic characterized by a certain simplicity and economy of means. One of the composers associated with this movement, La Monte Young, embraced the term with enthusiasm, while others like Steve Reich and Philip Glass nuanced it with terms such as “music without intention” or “music with a repetitive structure”. The term “hypnotic music” might also be appropriate for some works by Simeon ten Holt or Arvo Pärt, provided we are attuned to the monotonous hum of rain, have a fondness for grey—the languid greys of overcast days—or appreciate a certain suspension of the world.

In the late 1960s, the composer Michael Nyman coined the term “minimalism” to describe a new musical aesthetic characterized by a certain simplicity and economy of means. One of the composers associated with this movement, La Monte Young, embraced the term with enthusiasm, while others like Steve Reich and Philip Glass nuanced it with terms such as “music without intention” or “music with a repetitive structure”. The term “hypnotic music” might also be appropriate for some works by Simeon ten Holt or Arvo Pärt, provided we are attuned to the monotonous hum of rain, have a fondness for grey—the languid greys of overcast days—or appreciate a certain suspension of the world.