Francis Lai Itinéraire D'un Enfant Gâté

A foundling, raised in the circus, Sam Lion becomes a businessman after a trapeze accident. However, when he reaches fifty and becomes tired of his responsibilities and of his son Jean-Philippe, he decides to disappear at sea. However, he runs into Albert Duvivier, one of his former employees. He comes to realise that he has ignored the important things in his life.

Itinerary of a Spoiled Child / Itinéraire d'un enfant gâté - by Claude Lelouch (1988)

Sam Lion is an internationl businessman who, in his youth, had been a carnival performer. Once more bitten by wanderlust, he tries to escape his responsabilties by staging his own death. Hiding out in Tanzania, Lion meets Albert Duvivier, one of his own employees. Duvivier informs Lion that the business has gone to hell in a handbasket thanks to the mismanagement of hid daughter Victoria. He begs the executive to return.

The first presentation of A Man and a Woman on CD in stereo – from the original album masters housed in the MGM vaults, in both French and English versions. One of the finest soundtrack albums of the 1960s came in 1966, when Francis Lai composed much of the music for Claude Lelouch's French film A Man and a Woman (Un Homme et une Femme in French). Most European films enjoy very little publicity in the U.S., but A Man and a Woman was an exception because the soundtrack was so superb. With this classic LP, Lai and his allies (who include arrangers Maurice Vander and Ivan Julien) brought together French pop, jazz, and the Brazilian bossa nova (which Antonio Carlos Jobim, Stan Getz, and João Gilberto had popularized in the early 1960s). The bossa nova was as hot in Europe as it was in North America, and France's interest in Brazilian music is underscored by sensuous, caressing Lai offerings like "Aujourd'hui C'est Toi" and the famous title song – all of which feature French vocalists Nicole Croisille and/or Pierre Barouh. While Lai composed most of the melodies, Barouh provided the French lyrics – including some lyrics that he wrote for Brazilian composer Baden Powell's "Samba Saravah." Barouh has a soft, gentle quality to his voice, and he frequently brings to mind another gentle singer: João Gilberto. A five-star collection of mood music, this soundtrack has held up extremely well over the years.