Hersch cites Monk’s “sense of structure, his sense of the beat and his sense of humor” as being influential. Hersch believes that making a solo Monk record, of which there are few, other than those by Monk himself, allowed him to be much more personal with the music.
Anat Cohen and Fred Hersch, arguably two of most prolific and celebrated artists in modern jazz today, proudly announce the release of their debut duo recording, Live In Healdsburg. The album, due out on Anzic Records on March 9, displays qualities these world-class artists, and expert collaborators, have in abundance: empathy, open hearts, big ears, quick instincts, and an ego-less approach to the music. Cohen and Hersch also have the rare gift of combining virtuosity and beauty, which permeates every note they play. Recorded live at the Healdsburg Jazz Festival, Raven Performing Arts Theater, Healdsburg, CA, June 11, 2016.
Silent, Listening is a major addition to ECM’s distinguished line of solo piano recordings, featuring one of the outstanding improvising pianists and jazz masters of our time: Fred Hersch. The album features seven original creations and a handful of well-chosen standards, including Billy Strayhorn’s “Star-Crossed Lovers”, Sigmund Romberg’s “Softly, As In A Morning Sunrise”, Alec Wilder’s “Winter Of My Discontent” and Russ Freeman’s “The Wind”, all played with the focus, sensitivity and gracefulness for which Hersch is renowned. Developed with producer Manfred Eicher in the responsive acoustics of the Lugano studio, the album was recorded in May 2023.
Silent, Listening is a major addition to ECM’s distinguished line of solo piano recordings, featuring one of the outstanding improvising pianists and jazz masters of our time: Fred Hersch. The album features seven original creations and a handful of well-chosen standards, including Billy Strayhorn’s “Star-Crossed Lovers”, Sigmund Romberg’s “Softly, As In A Morning Sunrise”, Alec Wilder’s “Winter Of My Discontent” and Russ Freeman’s “The Wind”, all played with the focus, sensitivity and gracefulness for which Hersch is renowned. Developed with producer Manfred Eicher in the responsive acoustics of the Lugano studio, the album was recorded in May 2023.
Alive at the Village Vanguard is a collaborative live album by pianist Fred Hersch and jazz bassist Esperanza Spalding. Palmetto Records released the album on 6 January 2023. The album marks Hersch's sixth release recorded in the storied venue. He explained, "This recording sounds like you’re in the best seat in the Vanguard for a very live experience. You can really feel the vitality of the room, of the audience, and of our interplay. We decided on the word Alive for the album title as you can really feel the intimacy and energy of the performances." Spalding does not play a bass here, performing vocal parts only.
A couple of weeks before the release of Whirl, Fred Hersch was the subject of a long and chilling New York Times Magazine piece by David Hadju. The article related that in late 2008 Hersch, who has suffered from HIV/AIDS-related illnesses for years, had been experiencing symptoms that gradually took his motor functions away – he became delusional; he couldn't swallow, eat, or drink; and he fell into a coma and began to experience the shutting down of his vital organs. Miraculously, he somehow survived. Apparently, Hersch wasn't ready to die or to stop making music, and Whirl is the evidence, his first recording since recovering from his illness, issued on Palmetto and featuring bassist John Hébert and drummer Eric McPherson.