Dmitri Shostakovich is best known for his symphonies and string quartets, which paint him as a very serious composer, indeed. But he was also one of the most prolific film composers of the 20th century, with almost 40 films for which he wrote the music and which span virtually his entire professional career. It’s a fascinating panoply that shows Shostakovich from several different perpectives as he adapted to the changing shape and policies of the Soviet state. Shostakovich never took composing lightly and the musical merits of the frequently overlooked film scores are always impeccable. 2025 marks the 50th anniversary of the composer's death. This box set is a physical release only.
This extremely well played and vividly recorded disc offers an excellent overview of Shostakovich’s work as a film composer. More importantly, it relates his output in this much-maligned genre to his work in more “serious” music more clearly than does any other similarly focused collection. As such, it should be heard whole, for the total impression then becomes very much more than the sum of its parts, revealing how a great composer manages to write music that serves its admittedly utilitarian purpose while also remaining (mostly) true to himself.
Dmitri Shostakovich is best known for his symphonies and string quartets, which paint him as a very serious composer, indeed. But he was also one of the most prolific film composers of the 20th century, with almost 40 films for which he wrote the music and which span virtually his entire professional career. It’s a fascinating panoply that shows Shostakovich from several different perpectives as he adapted to the changing shape and policies of the Soviet state. Shostakovich never took composing lightly and the musical merits of the frequently overlooked film scores are always impeccable. 2025 marks the 50th anniversary of the composer's death. This box set is a physical release only.
Dmitri Shostakovich is best known for his symphonies and string quartets, which paint him as a very serious composer, indeed. But he was also one of the most prolific film composers of the 20th century, with almost 40 films for which he wrote the music and which span virtually his entire professional career. It’s a fascinating panoply that shows Shostakovich from several different perpectives as he adapted to the changing shape and policies of the Soviet state. Shostakovich never took composing lightly and the musical merits of the frequently overlooked film scores are always impeccable. 2025 marks the 50th anniversary of the composer's death. This box set is a physical release only.
The Living Concert Series embodies, in a very special way, the basic concept behind Acousence's Philosophy label. The Symphony No. 15 in A major op. 141 is Dimitri Shostakovich's last orchestral work. It was written in 1971, four years before the composer's death, and although the symphony bears the distinct traces of a late work and Shostakovich had been struck by a serious illness, this is by no means his last musical creation. The "Haffner-Symphony" was written in a turbulent time: Only one year before, in March 1781, Mozart had given up his secure post at the court of the archiepiscopal court in Salzburg and he was now trying to build up a position as a self-employed musician. On July 16th the "Entführung aus dem Serail" had been premiered at the Viennese Burgtheater. It was the time when Mozart married Constanze Weber against the will of his father.The Studio Master files are 192kHz / 24 bit.
The first ever album dedicated to the music of Ernest Shand, including several first recordings.
Brett Scott is Associate Professor of Ensembles and Conducting at the University of Cincinnati’s famed College-Conservatory of Music, where he conducts the CCM Chorale, teaches conducting and literature at the graduate and undergraduate level, and is Music Director of Opera d’arte. Under his direction, the CCM Chorale released its first commercial recording, Lux Dei—New Works for Choir by Douglas Knehans, through Ablaze Records, and has begun production of its second recording, focusing on sacred music for choir and electronics.
The first chapter of an exciting new recording project. The portrait of a master composer at the top of his game. Exploring two of the most remarkable, creative and game-changing years in music history: 1785 & 1786.