Continuing his Bruckner cycle on Deutsche Grammophon with the Leipzig Gewandhaus Orchestra, Andris Nelsons presents the Symphony No. 7 in E major, paired with an excerpt from Richard Wagner's Der Ring des Nibelungen, "Siegfried's Funeral March" from Götterdämmerung. While this symphony is outwardly one of Bruckner's most approachable, particularly in its lyrical opening movement, its energetic Scherzo, and its jubilant Finale, its long, funereal Adagio makes the connection to the gloomy Ring selection more apparent, since this slow movement was composed in anticipation of Wagner's death. It also marks the first time that Bruckner used a quartet of the novel "Wagner tubas," and unusually wrote parts for cymbals, triangle, and timpani at the movement's climax, perhaps symbolizing Wagner's apotheosis.
A companion to Jan Lehtola’s previous recording of Kalevi Aho’s monumental organ symphony ‘Alles Vergängliche’, the present disc includes five smaller pieces by Aho for organ solo, as well as three compositions for organ and one or two other instruments. First performed at the wedding of his sister, the two brief wedding marches were the first pieces that Aho wrote for the organ, and like the later Wedding Music they are kept in a tonal idiom – as the ……
Collectable Series: 1 of 4 with extended booklet includes backstage photos and 3D photos + glasses. Live DVD documenting Bonamassa’s 4 unique shows in London at the Borderline, Shepherd’s Bush Empire, Hammersmith Apollo and Royal Albert Hall in March 2013 will be released in October 29th. The DVDs will be called "Tour de Force: Live In London". Every show will be sold separately.
In Voyages, prolific American composer James Lee III takes the listener on a colourful journey through his endlessly creative orchestral music with ORF Vienna Radio Symphony Orchestra conducted by Marin Alsop.
The German violinist, violist and composer Friedrich Hermann (1828–1907) spent the six decades of his adult life teaching at the Leipzig Conservatoire and, although his works include a symphony, a string quartet and numerous other chamber pieces for strings, by far the largest part of his output is pedagogical in nature. But he pumped his teaching pieces full of imagination, as the studies here demonstrate. Even though the twenty Miniatures published in 1881 are intended for student violinists, many of them are tiny tone-poems intended both to engage the attention of their players and challenge their techniques – and their mix of poetry and humour should also appeal to adult listeners.
Where Walton's scores for Henry V and Richard III have had extensive recordings, the one he did for Hamlet, the second of the three Shakespeare films directed by Olivier, has been rather left on one side, with the magnificent "Funeral March" and the `poem for orchestra', "Hamlet and Ophelia", the only major items to be recorded commercially. Here, thanks to the work of Christopher Palmer, a full suite of nearly 40 minutes has been assembled at last, to fill the gap.
A companion to Jan Lehtolas previous recording of Kalevi Ahos monumental organ symphony Alles Vergängliche, the present disc includes five smaller pieces by Aho for organ solo, as well as three compositions for organ and one or two other instruments. First performed at the wedding of his sister, the two brief wedding marches were the first pieces that Aho wrote for the organ, and like the later Wedding Music they are kept in a tonal idiom as the composer writes in his own liner notes: I did not want to distract attention from the bride and groom, but rather to create a suitable atmosphere.