Funky The Message

I Got A Message: Hollywood 1968-1970 is a brand-new compilation album from funk legends Dyke & The Blazers. This collection features a range of songs from the band's time in Los Angeles - some of their last recordings before front man Arlester Christian's tragic death. The 21-track album features 16 previously unreleased recordings and includes their biggest hit "Let A Woman Be A Woman - Let A Man Be A Man," which has been sampled by many generations to follow - most notably by Tupac Shakur.

Released by Legacy in the U.K., this compact box set contains 20 albums – inside adequate LP replica sleeves – released by Philadelphia International. When it was issued, it retailed at a price that was roughly equivalent to the sum of three or four full-price titles, which made it a significant bargain. These albums don't represent the absolute best that PIR had to offer; instead, the box offers an assortment of commercial hits and misses, creative masterpieces and not-quite-failures, and showcases a significant portion of the label's roster.

Released by Legacy in the U.K., this compact box set contains 20 albums – inside adequate LP replica sleeves – released by Philadelphia International. When it was issued, it retailed at a price that was roughly equivalent to the sum of three or four full-price titles, which made it a significant bargain. These albums don't represent the absolute best that PIR had to offer; instead, the box offers an assortment of commercial hits and misses, creative masterpieces and not-quite-failures, and showcases a significant portion of the label's roster.

Massive 10 CD boxset celebrating the legacy of the Philadelphia International label and the unforgettable music released from the early '70s up through the early '80s. Philadelphia International expert Ralph Tee compiled this boxset for the label following his previous ground-breaking 14 x vinyl LP box set in 1986. This time, Ralph has the added benefit of a further 25 years of experience studying the Philadelphia International operation and a lot more time to play with: almost 800 minutes or over 131/2 hours of pure quality music from one of the greatest labels of all time. Also included within the package will be a 60 page full-size booklet containing full sleeve notes and track details from Ralph Tee, which will also include a number of archive photos and key album scans. Harmless.

The Epic is saxophonist Kamasi Washington's aptly titled, triple-length, 172-minute debut album for Brainfeeder. He is a veteran of L.A.'s music scene and has played with Gerald Wilson, Harvey Mason, Flying Lotus, and Kendrick Lamar (his horn is prominently featured on To Pimp a Butterfly), to name but a few. Most of his bandmates have played together since high school, and it shows. There are two drummers (including Ronald Bruner), two bassists (including Stephen "Thundercat" Bruner on electric), two keyboardists, trumpet, trombone, and vocals (Patrice Quinn). In various settings, they are supported by a string orchestra and full choir conducted by Miguel Atwood-Ferguson. Washington composed 13 of these 17 tunes; he also meticulously arranged and produced them. At just over six to nearly 15 minutes, the jams leave room for engaged improvisation. The Epic is based on a concept, though it's unnecessary to grasp in order to enjoy. The music reflects many inspirations – John Coltrane, Horace Tapscott's Pan-African People's Arkestra, Azar Lawrence's Prestige period, Donald Byrd's and Eddie Gale's jazz and choir explorations, Pharoah Sanders' pan global experiments, Afro-Latin jazz, spiritual soul, and DJ culture.