Funny Birds

Get ready for the fur to fly in this wild and crazy matching game!
A flock of birds is out for revenge after a gang of cats steals their eggs! Match clusters of birds to clear a path to the hatchlings and reclaim what belongs to your finely feathered friends.

Max is an ex-con who's been saving money to open a car wash in Pittsburgh. Lionel is a sailor who's returning home to the midwest to see the child born while he was at sea. They form an unlikely pair as the brawling Max learns a little how Lionel copes with the world: Lionel believes that the scarecrow doesn't scare birds, but instead amuses them - birds find scare-crows funny.

In this captivating memoir, Suzie Gilbert tells the rollicking story of how she turned her family life upside down to pursue her unusual passion for rehabilitating wild birds.

Aerial shots of mating Golden eagles, a fight between a Golden and a White-tailed eagle and a close look into the nursery of these birds combined make a spectacular film. This documentary gives an intimate portrait of this large predatory bird and tracks the birth and coming of age of two Golden Eagle chicks in the High Tatra Mountains, from the hatching of the eggs, until the moment when the young birds leave the nest. Tragic and funny moments make this movie an entertaining trip into the treetops of the European forests.

Alfred Hitchcock's painfully underrated black comedy The Trouble With Harry is a deliciously morbid film sure to amuse anyone with a slightly twisted or unorthodox sense of humor (such as Alfred Hitchcock's own). A dead body is found lying in the woods; what to do with him becomes the bothersome dilemma for a small group of the local residents. It was shot in the rich color of Vermont's autumn, the perfect compliment to its darker subject matter. Hitchcock has stated that the line quoted above is his favorite line from all his films.

Widely hailed as the Godfather of Ska, Laurel Aitken dominated Jamaica’s recording industry throughout its infancy, enjoying a series of hugely popular mento and Jamaican R&B hits during the latter half of the 1950s. Early the following decade he relocated to London, where, over the years that immediately followed, he recorded for every Afro-Caribbean record company of note. While his ska and rock steady recordings ensured Laurel remained a firm favourite among Jamaican ex-patriots, the reggae explosion of 1969 exposed his work to a wider audience, with productions for Doctor Bird, Pama and Trojan Records establishing him as a musical hero for many of Britain’s young, white working-classes, notably those that had adopted a fashion style dubbed by the national press as ‘skinhead’.