Johann Gottlieb Graun (1702/3-1771) began his musical studies at the famous Kreuzschule in Dresden. Subsequently he acquired his legendary prowess on the violin from two of the most excellent teachers of the time: the Vivaldi disciple, Johann Georg Pisendel in Dresden and Giuseppe Tartini in Padova. Very early in his career, during his service as concertmaster in Merseburg, Graun got acquainted with Johann Christian Hertel (1697-1754), an outstanding viola da gamba virtuoso; they remained friends throughout their lives, corresponding frequently. This may be the reason for Graun's apparent knowledge of the technical possibilities of the viol: his compositions for this instrument - not less than 22 large-scale works are extant - bear witness to this.
Of all the composers who wrote for the gamba during his times, Johann Gottlieb Graun must have been the most diligent one, even though he was not a virtuoso on this instrument. The twenty-seven works by him that are known to us represent significant contributions to the repertoire of the concerto, cantata, and sonata. All three of the works presented here contain grand solo parts for the viola da gamba that prove to be of the highest virtuosity. Graun evidently was interested in putting a virtuoso to the test.