Gulfh Gulfh of Berlin

Philharmonia Quartett Berlin - Ludwig van Beethoven: String Quartets [8CDs] (2014)

Philharmonia Quartett Berlin - Ludwig van Beethoven: String Quartets [8CDs] (2014)
XLD | FLAC | Image (Cue & Log) ~ 2,42 Mb | Total time: 8 Hours 49 Mins | Scans included
Classical | Label: Thorofon | # CTH 2614

Beethovens String Quartets are the undisputed sine qua non of the string quartet genre, with all other works in this form, as well as the ensembles themselves who must inevitably perform and record them, measured against this body of work and its associated recordings. The Philharmonia Quartet of Berlin, four members of the BPO, has been termed a ""top-flight-ensemble"" by the Chicago Tribune, possessing a heart melting sound (Boston Globe). An ensemble of thirty years standing, the PQB has established itself as a highly regarded, standard-setting body, and one in great demand worldwide.
V.A. - International Electronic Music Alliance: Berlin School Compilation (4CDs, 2014)

V.A. - International Electronic Music Alliance: Berlin School Compilation (4CDs, 2014)
Traditional Electronic, Berlin School | MP3 CBR 320 kbps | 757 Mb | Scans 30,35 Mb
Label: USC Plus, SynGate Records, Borders Edge Records

USC Plus presents the first genre in the history of USC, and this collection is in the genre of Berlin School. 32 songs and more than 5 hours of music from composers from around the world.
Marek Janowski, Radio Symphony Orchestra Berlin - Richard Strauss: Symphonia Domestica, Die Tageszeiten (2015)

Marek Janowski, Radio Symphony Orchestra Berlin - Richard Strauss: Symphonia Domestica, Die Tageszeiten (2015)
EAC | FLAC | Image (Cue & Log) ~ 289 Mb | Total time: 67:50 | Scans included
Classical | Label: Pentatone | # PTC 5186 507 | Recorded: 2014

Richard Strausss original working title for the work was My home. A symphonic portrait of myself and my family and was intended as a homely sequel to Ein Heldenleben (1898). Instead of the heros struggle for supremacy, Symphonia presents a portrait of a family, with the husband, wife and child each characterised by themes.
Marion Rampal, Quatuor Manfred & Raphaël Imbert - Bye-Bye Berlin (2018)

Marion Rampal, Quatuor Manfred & Raphaël Imbert - Bye-Bye Berlin (2018)
WEB FLAC (tracks) - 290 Mb | MP3 CBR 320 kbps - 144 Mb | 01:02:44
Jazz, Classical, Cabaret | Label: Harmonia Mundi

The music of 1920s Berlin was a reaction to the city’s conflicted political atmosphere. A new breed of composer emerged, eschewing the old and embracing a heady mix of cabaret, 12-tone serialism, and New York jazz. With dramatist Bertolt Brecht as their muse, they wrote startlingly original, often beautiful, music with bold, anarchic messages. The rich, seductive voice of Marion Rampal and her incredible group of musicians give vibrant life to the best, from Hanns Eisler’s defiantly anti-Fascist Nein and Kurt Weill’s tribute to Rosa Luxemburg, Ballad of the Drowned Girl, to Hindemith’s riotous demolition of an overture by Wagner, Hitler’s favourite composer.

Berlin Friday Academy - Janitsch: Trio Sonatas (2020)  Music

Posted by ciklon5 at Nov. 2, 2020
Berlin Friday Academy - Janitsch: Trio Sonatas (2020)

Berlin Friday Academy - Janitsch: Trio Sonatas (2020)
FLAC tracks | 01:12:25 | 427 Mb
Genre: Classical / Label: Brilliant Classics

New recordings of elegantly crafted chamber music by one of the leading musical lights of Berlin during the mid-18th century. A contemporary biographical sketch of Johann Gottlieb Janitsch (1708ca 1763) presented him as cheerful and unpretentious, which captures these five trio sonatas in a nutshell. Without emulating the contrapuntal sophistication of Bachs works in the same medium, or the extrovert cosmopolitan spirit of Handels chamber music for his English patrons, Janitschs music offers pleasures of its own. Recognizably drawing on the trio sonata tradition handed down by Corelli and north-Italian contemporaries, the five pieces recorded here reveal subtle distinctions in sound, scoring, and individual musical ideas that would have been appreciated by members of the academy which met every Friday at Janitschs home in the Prussian town of Rheinsburg during the late 1730s, and thereafter in Berlin, where the composer moved in service to Frederick the Great in 1740.
Berlin Symphony Orchestra & Hansjörg Schellenberger - Schubert: Overtures (2022)

Berlin Symphony Orchestra & Hansjörg Schellenberger - Schubert: Overtures (2022)
FLAC (tracks), Lossless +Booklet | 63:32 | 279 Mb
Genre: Classical / Label: Solo Musica

In this CD we encounter Schubert in the music of his main oeuvre - the huge number of his songs, but also his extensive collection of chamber music and piano pieces - so we frequently come across a trait of the composer's that presents itself again and again and very centrally: his tendency towards deep melancholy in all its manifestations and in particular his constant return to the confrontation with death.
Rundfunk-Sinfonieorchester Berlin - Schreker: The Birthday of the Infanta Suite, Prelude to a Drama & Romantic Suite (2018)

Rundfunk-Sinfonieorchester Berlin & JoAnn Falletta - Schreker: The Birthday of the Infanta Suite, Prelude to a Drama & Romantic Suite (2018)
WEB FLAC (tracks) - 262 Mb | MP3 CBR 320 kbps - 154 Mb | Digital booklet | 01:04:07
Classical | Label: Naxos Records

Franz Schreker was a prominent figure in early 20th-century Austro-German music, his reputation as an opera composer rivaling that of Richard Strauss. The Prelude to a Drama is the concert overture of Schreker’s acclaimed opera Die Gezeichneten, a lurid drama involving murder and madness. Conceived as a theatrical pantomime, The Birthday of the Infanta adapts Oscar Wilde’s tragic tale of an ugly dwarf who dies of a broken heart, while the Romantic Suite fully explores the composer’s colorfully detailed and translucent orchestration and lyrical expressiveness. The Berlin Radio Symphony Orchestra dates back to the beginnings of music broadcasting in 1923. Since then it has developed its position to become one of Berlin’s top orchestras, and today is ranked in the highest echelon of German radio orchestras. JoAnn Falletta became the first female conductor to lead a major American ensemble upon her appointment as music director of the Buffalo Philharmonic Orchestra in 1999.

Øresund Space Collective - Live in Berlin 2018 (2018)  Music

Posted by delpotro at Feb. 9, 2020
Øresund Space Collective - Live in Berlin 2018 (2018)

Øresund Space Collective - Live in Berlin 2018 (2018)
WEB FLAC (tracks) - 714 Mb | MP3 CBR 320 kbps - 251 Mb | 01:49:23
Psychedelic Rock, Space Rock | Label: Space Rock Productions

Live from the Sneaky Snake Festival at Urban Spree in Berlin, Germany on June 2nd, 2018. It was the last show of a 9 concert tour and the band was on fire! Epic guitar solos and one mind-blowing synth solo to complete an amazing musical tour. Enjoy!
Orchester der Deutschen Oper Berlin & Jacques Lacombe - Orff: Gisei, das Opfer (2016)

Orchester der Deutschen Oper Berlin & Jacques Lacombe - Orff: Gisei, das Opfer
Classical, Opera | WEB FLAC (tracks) & d. booklet | 60:16 min | 245 MB
Label: CPO | Tracks: 16 | Rls.date: 2016

In 1913, when he was only eighteen years old, Carl Orff finished his first opera, Gisei. This tragic story, featuring the sacrificial death of a child as well as Japanese culture in general, so greatly inspired the young composer that throughout his life he remained fond of Japan. In Japanese tragedy he found numerous similarities to the ancient Greek tragedies of Sophocles, with which he constantly engaged himself intensively.
Michael Volle, Rundfunk-Sinfonieorchester Berlin & Georg Fritzsch - Wagner Arias (2017)

Michael Volle, Rundfunk-Sinfonieorchester Berlin & Georg Fritzsch - Wagner Arias (2017)
Classical, Opera | MP3 CBR 320 kbps | 01:05:48 | 151 MB
Label: Orfeo

The roles featured on this CD are, in more ways than one, truly great ones; the vocal and interpretational demands on the artist are of an equally high calibre. The fact, as J. M. Fischer writes in the booklet text, that the term 'heroic baritone' has established itself in connection with these roles is recognition of the highly technical challenges – and simultaneously an understatement. The parallels with Wagnerʼs 'heroic tenor roles' can be seen in the truly supreme vocal challenges, and yet the bass-baritone protagonistʼs role in each of these works also demands even greater control of the dramatic character and, therefore, a more complex musical approach. The enduring fascination of these demanding roles can also be sought in their 'tragic awareness'.