Gary Moore Victims Of The Future

Gary Moore might just be the greatest guitar hero America's never heard of, probably because only his recent blues recordings have benefited from proper distribution stateside. In fact, Moore has worn so many hats during his near 30-year career that the words eclectic and unfocused immediately come to mind…

Victims of the Future is an album by Northern Irish blues-rock guitarist, Gary Moore, released in 1984. Continuing his path in the hard rock genre, Victims of the Future was a collection of straight-out rock 'n' roll anthems (such as "Teenage Idol" and "Hold on to Love"), a mournful love ballad ("Empty Rooms", which then was redone by Moore for his 1985 Run for Cover album).

Gary Moore might just be the greatest guitar hero America's never heard of, probably because only his recent blues recordings have benefited from proper distribution stateside. In fact, Moore has worn so many hats during his near 30-year career that the words eclectic and unfocused immediately come to mind. Victims of the Future arrived in the middle of the most consistent phase of his career – that of a heavy metal guitar slinger. Between the epic cold war-inspired title track and the massive riffing of "Murder in the Skies" (written about the Korean airliner shot own by Russian fighter jets), Moore assaults the listener with more guitar notes than appear in most careers. These are great songs though, and his powerful vocals are also very effective, especially on the hit ballad "Empty Rooms." None of Moore's recordings are very easy to find in America, but make sure this is the first one you look for.

Gary Moore might just be the greatest guitar hero America's never heard of, probably because only his recent blues recordings have benefited from proper distribution stateside. In fact, Moore has worn so many hats during his near 30-year career that the words eclectic and unfocused immediately come to mind. Victims of the Future arrived in the middle of the most consistent phase of his career - that of a heavy metal guitar slinger. Between the epic cold war-inspired title track and the massive riffing of "Murder in the Skies" (written about the Korean airliner shot own by Russian fighter jets), Moore assaults the listener with more guitar notes than appear in most careers. These are great songs though, and his powerful vocals are also very effective, especially on the hit ballad "Empty Rooms."

Gary Moore might just be the greatest guitar hero America's never heard of, probably because only his recent blues recordings have benefited from proper distribution stateside. In fact, Moore has worn so many hats during his near 30-year career that the words eclectic and unfocused immediately come to mind. Victims of the Future arrived in the middle of the most consistent phase of his career – that of a heavy metal guitar slinger. Between the epic cold war-inspired title track and the massive riffing of "Murder in the Skies" (written about the Korean airliner shot own by Russian fighter jets), Moore assaults the listener with more guitar notes than appear in most careers. These are great songs though, and his powerful vocals are also very effective, especially on the hit ballad "Empty Rooms." None of Moore's recordings are very easy to find in America, but make sure this is the first one you look for.

We Want Moore is Gary Moore’s first official live album to be available worldwide (Rockin’ Every Night was initially only available in Japan) and is not only a superb live album but also one of the strongest albums he has ever recorded…

Gary Moore - Classic Album Selection 1982-1989 [5CD BoxSet] (2013) {Virgin}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.26 Gb | MP3 @320 -> 781 Mb
Full Artwork @ 600 dpi (png) -> 301 Mb | 5% repair rar
© 2013 Virgin Records / Universal | 0600753460023
Rock / Hard Rock / Blues Rock

Part of Universal's Classic Album Selection series, this box set from legendary English blues guitarist Gary Moore focuses on his more rock-oriented offerings. The collection includes the albums Corridors of Power (1982), Victims of the Future (1983), Run for Cover (1985), Wild Frontier (1987), and After the War (1989) in their entireties.