Gary ve

Masabumi Kikuchi, Masahiko Togashi, Gary Peacock - Poesy (1971) {2015 Japan We Remember Poo Complete Series} [CD5of8]
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 296 Mb | MP3 @320 -> 107 Mb
Full Artwork @ 600 dpi (png) -> 216 Mb | 5% repair rar
© 1971, 2015 Philips / Universal Japan | UCCJ-9207
Jazz / Post Bop / Avant-Garde Jazz / Modern Free / Piano / Percussions

A set that definitely lives up to the poetry promised in its title – with none of the too-clean sounds you might guess from its hand-washing reference either! The album's one of the freest, most organic sessions we've heard from pianist Masabumi Kikuchi – almost improvised at points, but with a poetic cohesion in the piano lines that's really great – kind of an offbeat sense of lyricism that points in the same directions that Steve Kuhn or Keith Jarrett were heading in the late 60s. Drummer Masahiko Togashi plays lots of cool percussion and even a bit of gong – and Gary Peacock's bass here is as great as on any of his other excellent Japanese recordings. Titles include "Dreams", "The Trap", "The Milky Way", "Apple", "Get Magic Again", and "End".

In this guitar workshop you will learn to play five of Gary Moore's tracks, note by note. This DVD and CD set will help you to learn the fast blues licks, riffs and phrasing ideas that made Gary Moore one of the most respected rock and blues guitarists in the world. Once you've learned the track you can practice with the play-along tracks on the accompanying CD.

Gary Burton - Conception (2014) {2CD Set, El Records ACMEMD277CD rec 1960-1962}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 992 Mb | MP3 @320 -> 375 Mb
Full Artwork @ 600 dpi (jpg) -> 347 Mb | 5% repair rar
© 1960-62, 2014 Él Records / Cherry Red Records | ACMEMD277CD
Jazz / Bop / Post Bop / Vibes

Gary Burton, the astonishing virtuoso of the vibraphone. A child prodigy who achieved renown among musicians who marveled at his dazzling technique and originality of conception. Throughout a long career that traversed Nashville, George Shearing, Stan Getz, psychedelia, improvisation, free jazz, jazz rock and fusion, he retained a creative disposition; looking always to broaden his musical horizon and to push the boundaries of musical convention. Burton's innovations include the revival and adaptation of the use of a four mallet technique which enabled him to significantly increase the scope of his sound.