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Mark Olson & Gary Louris - Ready For The Flood (2009)  Music

Posted by popsakov at Jan. 15, 2021
Mark Olson & Gary Louris - Ready For The Flood (2009)

Mark Olson & Gary Louris - Ready For The Flood (2009)
EAC Rip | FLAC (Tracks) + Cue + m3u + Log ~ 325 Mb | MP3 CBR320 ~ 133 Mb
Full Scans ~ 97 Mb | 00:54:59 | RAR 5% Recovery
Folk, Folk Rock, Country Rock, Americana | New West Records #NW6162

On the first album they’ve released together since they were partners in The Jayhawks in 1995, singer/songwriters Mark Olson and Gary Louris reconvene for a recording that's unlikely to disappoint fans of their old band. But while they mine a thoughtful country-folk vein that’s not far removed from Jayhawks territory, Olson and Louris take a somewhat softer, more acoustic-based, balladic approach here than they did in the Jayhawks days, lending Ready for the Flood a warm, honeyed glow.
Chick Corea and Gary Burton - Hot House (2012) [Official Digital Download 24bit/96kHz]

Chick Corea & Gary Burton - Hot House (2012)
FLAC (tracks) 24 bit/96 kHz | Time - 75:04 minutes | 1,27 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Pianist Chick Corea and vibraphonist Gary Burton have been a powerhouse team for more than four decades, performing exhilarating sets across the world and releasing seven acclaimed recordings. The influential pair celebrates forty years of great jazz with the release of Hot House, a collection of ten songs that draws from the works of some of their favorite composers from the 1940s through the 1960s. The result is a refreshing account of under-appreciated classics. Hot House includes the lighthearted “Can’t We Be Friends”, a darker “Eleanor Rigby” and the gorgeous Evans’ track “Time Remembered”.
The New Gary Burton Quartet - Common Ground (2011) [Official Digital Download 24-bit/96kHz]

The New Gary Burton Quartet - Common Ground (2011)
FLAC (tracks) 24-bit/96 kHz | Time - 66:02 minutes | 1,35 GB
Studio Master, Official Digital Download | Artwork: Front cover

On Gary Burton's debut release on Mack Avenue Records "Common Ground", the Grammy-winning pioneer of the four-mallet technique of playing the vibes is not only delivering his first studio album since 2005, but is also introducing his latest band. Well-known throughout his five-decade career for his quartets (beginning with his 1967 group featuring Larry Coryell, Roy Haynes and Steve Swallow), Burton is returning to the configuration for the first time since the mid 90s. He expresses great enthusiasm for the new band's alchemy. I've always liked the vibraphone-guitar sound, says Burton, whose masterful vibes glisten throughout Common Ground. It's something that I discovered when Nashville country guitarist Hank Garland invited me in the 60s to record with him. The sound of the two instruments together has an ideal timbre and coolness.
Reverend Gary Davis and Pink Anderson - Gospel, Blues and Street Songs [Recorded 1950-1956] (1991)

Reverend Gary Davis and Pink Anderson - Gospel, Blues and Street Songs [Recorded 1950-1956] (1991)
EAC Rip | FLAC (image+.cue+log) - 194 MB | MP3 CBR 320 kbps (LAME 3.93) - 117 MB | Covers - 5 MB
Genre: Country Blues, Acoustic Blues, Gospel | RAR 3% Rec. | Label: OBC/Riverside Records (00025218052429)

This album is one of the cornerstones of Riverside Records' "Original Blues Classics" series. Regardless of the moniker, these sides loom large in the available works of seminal blues icons Pink Anderson and Rev. Gary Davis. Both performers hail from the largely underappreciated Piedmont blues scene - which first began to flourish in the late 19th and early 20th centuries - near the North/South Carolina state border. Anderson's seven tracks were recorded in Charlottesville, VA, on May 29, 1950 - while he was literally on the road. His highly sophisticated and self-accompanied style of simultaneously picking and sliding - accomplished using a half-opened jackknife - could pass for an electronic effect…
Gary Dranch - The Dawn Of The Bicameral Clarinetist: An Anthology of American Solo Clarinet Works from 1968-1979 (2024) [24/48]

Gary Dranch - The Dawn Of The Bicameral Clarinetist: An Anthology of American Solo Clarinet Works from 1968-1979 (2024)
FLAC (tracks) 24-bit/48 kHz | Front Cover | Time - 96:08 minutes | 929 MB
Classical | Label: Navona Records, Official Digital Download

Imagine the clarinet like you’ve never heard it before–elevated by cutting-edge technology and taking flight to new, uncharted frontiers. With THE DAWN OF THE BICAMERAL CLARINETIST, clarinet virtuoso Dr. Gary Dranch offers an extraordinary exploration of the pivotal era between 1968 and 1979, when portable synthesizers first made their way onto the concert stage.

VA - Gary Crowley's Lost 80s (2019)  Music

Posted by delpotro at April 14, 2019
VA - Gary Crowley's Lost 80s (2019)

VA - Gary Crowley's Lost 80s (2019)
EAC Rip | FLAC (tracks+log+.cue) - 1,8 Gb | MP3 CBR 320 kbps - 654 Mb | 04:45:46
New Wave, Pop, Synthpop, Indie Pop, Pop Rock | Label: Edsel Recordings

Lost 80s presents 63 tracks compiled and themed by Gary Crowley disc by disc, from 'Jingly Jangly' indie-pop 7"s to the extended 12" that so much marked the era. Many of these tracks are rare and very hard to find having not appeared on any CDs before.
Gary Bartz NTU Troop - I've Known Rivers and Other Bodies (1973) [Reissue, Remastered 2003]

Gary Bartz NTU Troop - I've Known Rivers and Other Bodies (1973) [Reissue, Remastered 2003]
EAC | FLAC (log,tracks+cue) -> 543 Mb (5% Rec.)
Mp3 CBR320 Kbps -> 186 Mb (5% Rec.) | Scans included
Jazz, Jazz-Funk, Soul-Jazz, Post-Bop | Label: Prestige / Fantasy Records, PRCD-66001-2 | 01:18:33

One of the most talented and hard working musicians of the 1970s, Gary Bartz appeared with almost every group vital to the fusion of modern contemporary soul music and jazz. From his experiences with the Miles Davis groups of the early '70s, Bartz rose with confidence to the forefront of the jazz movement, releasing one stellar recording after the next, showing no signs of slowing down into the mid-'70s. What you hear on I've Known Rivers and Other Bodies is no exception.
Keith Jarrett / Gary Peacock / Jack DeJohnette - The Out-Of-Towners (2004) {ECM 1900}

Keith Jarrett / Gary Peacock / Jack DeJohnette - The Out-Of-Towners (2004) {ECM 1900}
EAC 1.0b3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 393MB + 5% Recovery
MP3 CBR 320 Kbps | 156MB + 5% Recovery
Genre: Jazz, Post-Bop

Recorded in Munich, ECM's hometown, in 2001, "The Out-of-Towners " finds jazz's most consistently creative piano trio at the peak of its game. Keith Jarrett, Gary Peacock, and Jack DeJohnette captivate the audience at the Munich State Opera. Balancing standards and jazz tunes with Keith Jarrett originals, the trio keeps the music in tight focus.
John Gary - John Gary On Broadway (1967/2017) [Official Digital Download 24/96]

John Gary - John Gary On Broadway (1967/2017)
FLAC (tracks) 24-bit/96 kHz | Time - 27:08 minutes | 616 MB
Studio Master, Official Digital Download | Artwork: Front cover

John Gary was a singer with a three-octave range and amazing breath control, and was admired by many of his contemporaries, but didn’t really reach the level of fame attained by a lot of lesser singers. Although he had a fairly long career, appearing in various venues and selling a lot of records, he just never quite managed to attain star status.
Keith Jarrett / Gary Peacock / Jack DeJohnette - Yesterdays (2009) {ECM 2060} [Re-Up]

Keith Jarrett / Gary Peacock / Jack DeJohnette - Yesterdays (2009) {ECM 2060}
EAC 0.99pb4 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 150dpi | 414MB + 5% Recovery
MP3 CBR 320 Kbps | 175MB + 5% Recovery
Genre: Jazz

Yesterdays is the third title ECM has released by Keith Jarrett, Gary Peacock, and Jack DeJohnette (dubbed "the standards trio"). The first two — The Out-of-Towners released in 2004 and My Foolish Heart issued in 2007 — were actually recorded later than this live date recorded in Tokyo in April of 2001. This group is not only a solid link to the tradition Jarrett, Peacock, and DeJohnette all came up with, but it is a solid teaching pointer as to how to employ standards for the music in the future.