Genre 33 1 3

Era, Bliss, Schiller, Enigma, Secret Garden, Vangelis, Amethystium, Delerium, Yello and many more.

3 Compilation albums from the Soul Brother Label featuring a fine collection of Soul, Funk, Jazz & Disco tracks.

Ambient Diary. One (1997). Elektrolux presents: "It's well known that Elektrolux is one of the global top address for ambient music. With our Ambient Diary.One Compilation we proudly present a fine selection of well chosen ambient tracks by a handful of Elektrolux artists. The Double-CD format invites you to extensive Chill Out sessions with tracks by artists such as Babel, Insect Jazz, Dr. Scissors, Fresh Moods, The Saafi Bros., Cold (Rmxs by Sven Väth, Ralf Hildenbeutel and Flow.Machine), Aural Float, Taklamakan, Ajax, Bix, Fortunato & Montresor, Flow.Machine and Full Moon Fashions. Enchanting, mesmerizing and hypnotic, with the handy selection of the "Ambient Diary.One" you'll have the ideal soundtrack to deeply relax from the burdens of life"…

Music For Film And Exhibition (2007). Peter Andersson from the Cold Meat Industry act Raison D’etre presents his sound work for film and exhibition, spanning through the years 1999 to 2006. Peter has been working on several film and exhibition projects, some of these projects never went to final completion but the music was composed in almost all the cases. Music for Film and Exhibition presents a broad spectrum of the sounds and music capabilities of Peter Andersson and those familiar with any of his different music projects including Raison D’etre, Necrophorus, Atomine Elektrine, Bocksholm etc. will most probably enjoy this double album very much…

Charly Records presents The Chess Story, Vol. 1-3: From Blues to Doo-Wop, From Doo-Wop to R&B, From R&B to Soul.
Muddy Waters, John Lee Hooker, Willie Mabon, Eddie Boyd, Little Walter, Bo Diddley, Chuck Berry, Howlin' Wolf, Buddy Guy, Elmore James, Sonny Boy Williamson, Little Milton, Ramsey Lewis, Etta James and many others.

In all three quartets the Borodin play with an easy authority and what seems to be perfect style. There are no obvious interpretative quirks, there's nothing showy to get between the music and the listener, and it is evident that these musicians are thoroughly immersed in the authentic Russian tradition of playing Tchaikovsky's music. Technically and tonally they are first rate, and they combine well with the two excellent extra players in Souvenir de Florence.

In their survey of Haydn's string quartets for ASV, the Lindsays have set about the business of restoring these Classical masterpieces to their proper place in the repertoire, with all their brilliant wit and brusqueness intact, and without undue sweetening or romanticizing. The point, it seems clear, is to bring Haydn out from under the familiar shadows of Mozart and Beethoven, and to render his quartets as the true models of quartet writing, not as light Rococo divertissements or tamer antecedents of greater works. The Lindsays are sharp in their characterizations of Op. 33, Nos. 3, 5, and 6, and their lean textures, crisp articulation, transparent repartee, and pungent attacks distinguish these performances from more commercially pretty or polished versions.