Good Vibrations

Capitol/UMe will issue a 50th anniversary edition of The Beach Boys‘ 1966 album Pet Sounds this June that will feature the much-delayed blu-ray audio and four CDs of content including previously unreleased live recordings. The five-disc Collector’s Edition is presented as a hardcover book and features the remastered original album in stereo and mono as well as session outtakes, alternate mixes and said live recordings.

Adult/Child was a Beach Boys project meant for release in 1977 but was canceled. Some say it was more of a Brian Wilson solo project than anything. This is a fan-made "reconstruction" made by S0nicl0ven0ize taken from different projects to assemble what could've been a fine project. Maybe it is, if not better.

Skewed heavily–and rightfully–toward the Beach Boys' first seven years, Hawthorne, CA offers up charmingly rough early demos ("Surfin'", "Surfin' USA", "Little Deuce Coupe"), edited session highlights, backing tracks ("Fun, Fun, Fun", "Salt Lake City", "Good Vibrations", "Be with Me", "Sail On Sailor"), spectacular a cappella versions ("Kiss Me Baby", "Can't Wait Too Long", "Add Some"), alternate takes ("The Little Girl I Once Knew" with an a cappella break, "Time to Get Alone", "Break Away") and some modern stereo remixes and edits that add revealing details ("Dance, Dance, Dance", "Heroes and Villains", "Vegetables", "Time to Get Alone"). The crucial latter contributions of Carl and Dennis Wilson and Al Jardine are also showcased on "Let the Wind Blow", "A Time to Live in Dreams" and "Cotton Fields", respectively. The dialogue adds some minor perspective but, as always, it's music that carries the day. Hawthorne, CA is a must for collectors and a concise, insightful introduction to a true American musical institution. –Jerry McCulley

Aloha From Hawaii (And Hollywood) is a 2001 bootleg CD by The Beach Boys. It consists of a concert done at the Honolulu International Center from 1967 plus songs from recording sessions done a few weeks later in Hollywood, California. This was released by the Spank label.

The Beach Boys Beginning their career as the most popular surf band in the nation, the Beach Boys finally emerged by 1966 as America's preeminent pop group, the only act able to challenge (for a brief time) the overarching success of the Beatles with both mainstream listeners and the critical community. From their 1961 debut with the regional hit "Surfin'," the three Wilson brothers – Brian, Dennis, and Carl – plus cousin Mike Love and friend Al Jardine constructed the most intricate, gorgeous harmonies ever heard from a pop band.

Beginning their career as the most popular surf band in the nation, the Beach Boys finally emerged by 1966 as America's preeminent pop group, the only act able to challenge (for a brief time) the overarching success of the Beatles with both mainstream listeners and the critical community. From their 1961 debut with the regional hit "Surfin'," the three Wilson brothers – Brian, Dennis, and Carl – plus cousin Mike Love and friend Al Jardine constructed the most intricate, gorgeous harmonies ever heard from a pop band. With Brian's studio proficiency growing by leaps and bounds during the mid-'60s, the Beach Boys also proved one of the best-produced groups of the '60s, exemplified by their 1966 peak with the Pet Sounds LP and the number one single "Good Vibrations." Though Brian's escalating drug use and obsessive desire to trump the Beatles (by recording the perfect LP statement) eventually led to a nervous breakdown after he heard Sgt. Pepper's Lonely Hearts Club Band, the group soldiered on long into the '70s and '80s, with Brian only an inconsistent participant.

The Beach Boys Beginning their career as the most popular surf band in the nation, the Beach Boys finally emerged by 1966 as America's preeminent pop group, the only act able to challenge (for a brief time) the overarching success of the Beatles with both mainstream listeners and the critical community. From their 1961 debut with the regional hit "Surfin'," the three Wilson brothers – Brian, Dennis, and Carl – plus cousin Mike Love and friend Al Jardine constructed the most intricate, gorgeous harmonies ever heard from a pop band.

Smiley Smile is the twelfth studio album by American rock band The Beach Boys, released on September 18, 1967 on Brother Records and Capitol. Released in the aftermath of the shelving of Smile, Smiley Smile is best known for its sparse and lo-fi production. Upon its unveiling, the album was received with confusion but has grown in stature over the years to become a cult and critical favourite in The Beach Boys' oeuvre. This is the edition 2012 that include mono and stereo version of this LP.