Grace+jones

Jimmy Jones was an in-demand arranger and pianist throughout the 1950s and '60s, working with most leading jazz vocalists and soloists of the era. If you go into Tom Lord's Jazz Discography, you'll find Jones on 307 sessions. But if you modify your search, screening just for Jones's leadership dates, you'll find the number dramatically reduced to eight. In truth, there were only seven, since the tracks for an Atlantic Records session in 1957 were strangely never released.
Among these seven leadership recordings, the only trio session released as a six-song 10-inch LP was Jimmy Jones Trio. Jones recorded the album for the French Vogue label in October 1954 in Paris. The only explanations for Jones recording just one trio album over the course of his career is either that he was too busy or he was under contract as an arranger or accompanist to other artists and couldn't record legally under his own name…

Giuseppe Clemente Dall'Abaco (1710-1805), son of the composer Evariso Dall'Abaco, learned to play the cello as a child. Raised in Munich, he found employment at the court of the Elector of Cologne as early as 1729 and embarked on a fascinating musical career that made him famous in London, Paris and Vienna, among other places, and even features several "eventful" episodes. French grace, German thoroughness and Italian joy of virtuosity meet in his magnificent sonatas and duos for violoncello, some of which are recorded here for the first time.

Q's Jook Joint blends the latest in hip-hop-flavored productions with sleek urban ballads, vintage standards, and derivative pieces; everything's superbly crafted, though few songs are as exciting in their performance or daring in their conception as past Jones epics like Gula Matari or the score from Roots. Still, you can't fault Jones for his choice of musical collaborators: everyone from newcomer Tamia to longtime stars like Ray Charles, rappers, instrumentalists, male and female vocalists, percussionists, and toasters. The CD really conveys the seamless quality one gets from attending a juke joint, though it lacks the dirt-floor grit or blues fervor of traditional Southern and chitlin circuit hangouts. But no one's more knowledgeable about the spectrum of African-American music, nor better able to communicate it via disc, than Quincy Jones.

Na jarenlang research komen Universal Music en BR Music met de Testament van de Eighties uit de langverwachte opvolger van de succesvolle Sixties en Seventies boxen. Het Testament van de Eighties is wederom een fraai vormgegeven box met 10 cd's, 5 dvd's en een boek.