Grace Jones Muse

"Disco" is digitally remastered 3-CD set featuring editions of her "Portfolio" (1977), "Fame" (1978), and "Muse" (1979) albums expanded with unreleased tracks and rare mixes.

"Muse" is the third studio album by Grace Jones, released on September 4, 1979, by Island Records. Muse was the last album of Jones's disco trilogy recorded with producer Tom Moulton, which began in 1977 with debut Portfolio. As in the case of two previous records, the first side of the album is a continuous medley of four songs, joined by a narrative about someone who has sinned. The second side, however, consists of disco songs with no lyrical relation to one another. All album art, including the cover image, is by Richard Bernstein.

„Muse“ was the last album of Jones's disco trilogy recorded with producer Tom Moulton, which began in 1977 with debut „Portfolio“. As in the case of two previous records, the first side of the album is a continuous medley of four songs, joined by a narrative about someone who has sinned. The second side, however, consists of disco songs with no lyrical relation to one another. All album art, including the cover image, is by Richard Bernstein.

Digitally remastered reissue of "Warm Leatherette" represents a watershed moment in the career of Grace Jones. The first of her much loved and critically-lauded 'Compass Point trilogy' it saw the star embrace contemporaneous new wave (The Normal's 'Warm Leatherette', The Pretenders' 'Private Life'), old soul (The Marvelettes' 'The Hunter Gets Captured By The Game' and leftfield rock (Tom Petty and the Heartbreakers' 'Breakdown', Roxy Music's 'Love Is The Drug'). All sounded like nothing you'd ever heard before once Grace had finished with them. This new Hi-Res reissue it's a perfect demonstration of players, writers and production team at the very top of their game, headed up by a singular performer reaching the apex of her career to that point.

Digitally remastered and expanded deluxe reissue of "Warm Leatherette" represents a watershed moment in the career of Grace Jones. The first of her much loved and critically-lauded 'Compass Point trilogy' it saw the star embrace contemporaneous new wave (The Normal's 'Warm Leatherette', The Pretenders' 'Private Life'), old soul (The Marvelettes' 'The Hunter Gets Captured By The Game' and leftfield rock (Tom Petty and the Heartbreakers' 'Breakdown', Roxy Music's 'Love Is The Drug'). All sounded like nothing you'd ever heard before once Grace had finished with them. This new Hi-Res reissue it's a perfect demonstration of players, writers and production team at the very top of their game, headed up by a singular performer reaching the apex of her career to that point.

Digitally remastered and expanded deluxe reissue of "Warm Leatherette" represents a watershed moment in the career of Grace Jones. The first of her much loved and critically-lauded 'Compass Point trilogy' it saw the star embrace contemporaneous new wave (The Normal's 'Warm Leatherette', The Pretenders' 'Private Life'), old soul (The Marvelettes' 'The Hunter Gets Captured By The Game' and leftfield rock (Tom Petty and the Heartbreakers' 'Breakdown', Roxy Music's 'Love Is The Drug'). All sounded like nothing you'd ever heard before once Grace had finished with them. This new Hi-Res reissue it's a perfect demonstration of players, writers and production team at the very top of their game, headed up by a singular performer reaching the apex of her career to that point.

Digitally remastered reissue of "Warm Leatherette" represents a watershed moment in the career of Grace Jones. The first of her much loved and critically-lauded 'Compass Point trilogy' it saw the star embrace contemporaneous new wave (The Normal's 'Warm Leatherette', The Pretenders' 'Private Life'), old soul (The Marvelettes' 'The Hunter Gets Captured By The Game' and leftfield rock (Tom Petty and the Heartbreakers' 'Breakdown', Roxy Music's 'Love Is The Drug'). All sounded like nothing you'd ever heard before once Grace had finished with them. This new Hi-Res reissue it's a perfect demonstration of players, writers and production team at the very top of their game, headed up by a singular performer reaching the apex of her career to that point.

"Living My Life" is the 6th studio album by Grace Jones, released in 1982. It was the last of three albums she recorded at the Compass Point Studios in the Bahamas. The urban-flavoured "Nipple to the Bottle" and reggae-oriented "The Apple Stretching" were released simultaneously as lead singles. "Nipple to the Bottle" received a worldwide release, becoming a highly popular dance track in the US, as well as a top three hit in New Zealand. The latter was not released in the North America and achieved only moderate success in Europe. Three more singles were then simultaneously released in January 1983, of which "My Jamaican Guy" turned out the most successful. "Cry Now, Laugh Later", released only in the US and Canada, and "Unlimited Capacity for Love" did not chart. In 2010 "Inspiration" was remixed to a 7:14 "Leroc Sportif Edit" and released as a one-track digital only single in February.

"Slave To The Rhythm" - 1994 German 5-track CD single, includes Original 1985' Version, Blooded, D Monster Mix, D's Vocal Dub and D Beatsappella Mix. Origianlly, “Slave to the Rhythm” was the first single from Grace Jones’ album of the same name, which was released in 1985. The song and the album was written by Bruce Woolley, Simon Darlow, Stephen Lipson and Trevor Horn and was produced by Horn. The single became one of her greatest commercial successes and counts as one of Jones’ signature tunes. The song peaked at #12 on the UK singles chart in 1985, and became a new #28 hit in 1994 (in remix form).