Great Jazz Trio

Eri Ohno is a Japanese pop, funk and jazz singer.
Eri Ohno recorded her debut album Feeling Your Love and the single "Trad Man" (Better Days) in 1979, followed by several albums on the Denon and Nippon Columbia record labels. She recorded the album Eri My Dear (1982) with Toshiyuki Daitoku (keyboards), Cecil McBee (bass) and Billy Hart (drums). With Hank Jones, Eddie Gomez and Jimmy Cobb, an album with songs by Cole Porter like "I Get a Kick Out of You", "Love for Sale" or "Night and Day" was released in Tokyo in 1984.

The name of the group might be immodest, but the combination of pianist Hank Jones, bassist Buster Williams and drummer Tony Williams lives up to its billing. Originally cut for the Japanese East Wind label and last available domestically as an Inner City LP, this swinging but unsurprising session features boppish interpretations of six jazz standards including "Love for Sale," "Secret Love," and "Autumn Leaves."

Collaboration is the third CD to be issued from a pair of 2002 sessions by the Great Jazz Trio, featuring Elvin Jones and Richard Davis with leader Hank Jones. The pianist previously worked alongside Davis on numerous sessions led by other musicians, including Elvin's Dear John C., though the Jones brothers worked together only sporadically during their long careers. ~ CDUniverse

Arthur Stewart "Art" Farmer (August 21, 1928 – October 4, 1999) was an American jazz trumpeter and flugelhorn player. He also played flumpet, a trumpet–flugelhorn combination specially designed for him. He and his identical twin brother, double bassist Addison Farmer, started playing professionally while in high school. Art gained greater attention after the release of a recording of his composition "Farmer's Market" in 1952. He subsequently moved from Los Angeles to New York, where he performed and recorded with musicians such as Horace Silver, Sonny Rollins, and Gigi Gryce and became known principally as a bebop player.

In the opening of this 107-minute long DVD, Hank Jones says he visited Kobe for the first time "ten years ago" (ie, 1986), and Ron Carter refers to the city as "the birthplace of jazz in Japan." The concert, filmed on December 4, 1996, starts with Jones-Carter duo performances of "'Round Midnight" and "Polka Dots and Moonbeams," followed by trio renditions (with Lewis Nash added on drums) of "Blue Monk" and "A Night in Tunisia." Hank Jones' part of the concert, leading Santi DeBriano (bass) and Jimmie Smith (drums), begins with an up-tempo version of "Speak Low," and continues with "On Green Dolphin Street," "Body and Soul," and "What's New?"

It's a jazz trio record with piano, bass and drums, and all the music is written by the great Johann Sebastian Bach. The compositions have been rearranged by the trio, to be used as springboards for improvisation.

Curtis Fuller - Curtis Fuller Meets Roma Jazz Trio (1982) {2015 Japan Timeless Jazz Master Collection Complete Series CDSOL-6385}
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© 1982, 2015 Timeless Records / Solid Records Japan / Ultra-Vibe | CDSOL-6385
Jazz / Post Bop / Hard Bop / Trombone

Reissue with the latest remastering. Features original cover artwork. An overlooked 80s session from trombonist Curtis Fuller – and a great one too – a record that really returns the player to the powerful presence we first loved in his albums of the late 50s and early 60s! Fuller's the leadoff solo instrument throughout – working here with backing from the Roma Trio of Danilo Rea on piano, Enzo Pietropaoli on bass, and Roberto Gatto on drums – all playing with that careful, classic vibe that maybe made the Italian scene in the 80s one of the richest on the continent. Curtis blows boldly, even at mellower moments – often phrasing more like a trumpet than a typical trombonist – and serving up lots of soulful sounds in the process. The set features a sublime reading of "Naima", plus "Blue Bossa", "Afternoon In Paris", "Red's Delights", and "Impressions".

At the height of her art, the composer and jazz pianist Lorraine Desmarais offers a new work that celebrates the estuary of St. Lawrence River, connecting the Great Lakes to the North Atlantic Ocean. Reminiscences of landscapes surveyed and loved, of people met and appreciated feed the movements of the music suite with pictorial accents. Requisitioning the full potential of the piano, an instrument that is at once melodic, harmonic, and percussive, Lorraine Desmarais paints a fresco with an extensive palette, sometimes figurative, sometimes abstract.