This is the second two-CD set of Beethoven's ten sonatas for piano and violin performed by violinist Henryk Szeryng and pianist Ingrid Haebler. It includes Beethoven's final five works in this form, including the three sonatas of opus 30, the opus 47 sonata, and the opus 96 sonata.
Beethoven wrote ten sonatas for piano and violin, the best known of which are the "Spring" and the "Kreutzer" sonatas. The fame of these two works has tended to result in neglect of the remaining sonatas. This is unfortunate because Beethoven's remaining eight sonatas for piano and violin include much great music. The set of 10 works is of an appropriate size to warrant exploration of the entire group for those with a passion for the violin or for Beethoven. It includes an appealing mix of familiar and unfamiliar music.
Beethoven wrote ten sonatas for piano and violin, the best known of which are the "Spring" and the "Kreutzer" sonatas. The fame of these two works has tended to result in neglect of the remaining sonatas. This is unfortunate because Beethoven's remaining eight sonatas for piano and violin include much great music. The set of 10 works is of an appropriate size to warrant exploration of the entire group for those with a passion for the violin or for Beethoven. It includes an appealing mix of familiar and unfamiliar music.
"Terms such as “fastidious”, “intimate” and “quietly nuanced” have long been applied to the immensely respected Ingrid Haebler’s interpretations. She was a “purist” in the best sense of the word and has often said that she always sought to convey the essence of the music according to the language and style of the composer’s time. Her goal is that the listener should understand the structure and the message of the work, without anything to disrupt it. She has always been admired for the grace and shapeliness of her phrasing, her pellucid cantabile touch, her crystalline articulation, and the warmth, sensitivity, and quietly nuanced expressivity of her interpretations. With an imposing discography, Haebler was regarded by many as Philips’ “house pianist”. Decca now proudly presents her Complete Philips Recordings on 58CDs in tribute to this rare and special artist.
Terms such as “fastidious”, “intimate” and “quietly nuanced” have long been applied to the immensely respected Ingrid Haebler’s interpretations. She was a “purist” in the best sense of the word and has often said that she always sought to convey the essence of the music and the structure and the message of the work, without anything to disrupt it. With an imposing discography, Haebler was regarded by many as Philips’ “house pianist”. Decca now proudly presents her Complete Philips Recordings on 58CDs in tribute to this rare and special artist.