Most recently, Aarset has appeared on the album "Jazzland Community", a document of the 2006/07 tour featuring Bugge Wesseltoft, Sidsel Endresen, Håkon Kornstad, Marius Rekjø¸ and Wetle Holte. Two Aarset tracks appear, "Connectic" and "Electromagnetic", and two ensemble pieces: "The tour was a great experience for me," says Aarset. "I loved the way our different styles and concepts worked together and came out as a whole unified concert, not just different acts in one show. And the collective improvisation at the end of each concert was amazing. It was always happening."
Marilyn Mazur is best known today as the flamboyant percussionist at the heart of the Jan Garbarek Group (Twelve Moons, Visible World), speeding around an ever burgeoning array of multi-ethnic metal, wood and clay instruments. Garbarek: "Marilyn is like the wind. An elemental force." Prior employers Gil Evans, Wayne Shorter, and Miles Davis have similarly valued her pervasive, penetrating percussion. Marilyn drew up the blueprint for Future Song - an American-Danish-Nowegian-Yugoslavian musical alliance - while working the stadiums with Miles in 1989 and the group has survived with intact personnel for eight years. Mazur says: "The music is intended to be like a living organism, expanding through specific dramatic sequences into more open structures. It represents a wide dynamic spectrum, explores many emotions."
Excellent solo effort by Jan Garbarek’s percussionist Marilyn Mazur. With help from Eivind Aarset (N.P. Molvaer’s eclettic guitar player) and other skillful players, “Daylight Stories“ is a musical journey which pays a personal and much affectionated tribute to electric jazz of the mid seventies.
Katrine Madsen (born 7 March 1972 in Århus ) is a Danish jazz singer, composer and teacher. She studied at the Royal Academy of Music in Aarhus. In 1994 she formed the group Swing Quintet which debuted with I'm Old Fashioned in 1996, which was followed by Dream Dancing in 1997. She has also appeared in Ed Thigpens Ed Thigpen Rhythm Features, has toured with Lars Moller on saxophone, Jan Lundgren piano, Jesper Bodilsen on bass and Morten Lund on drums in different contexts…
The Wild West meets the soulful sound of Italy. Fearless New York gangsters meet cowboys from the dusty prairie. Godfather meets Taxi Driver. And the magic of cinema meets the rich sound of a first-class symphony orchestra. This exclusive live concert production presents a unique selection of movie classics - from Sergio Leone's iconic Spaghetti Westerns to modern mafia masterpieces by Francis Ford Coppola and the cult movies of Tarantino. The Danish National Symphony Orchestra is conducted by Sarah Hicks and joined by a fistful of strong guest artists for this premiere performance of the authentic soundtracks by composer legends Ennio Morricone, Nino Rota, Sonny Bono and Bernard Herrmann.
While there are still plenty of the signposts that make this an Eivind Aarset album, Sonic Codex represents some significant changes for a Norwegian artist who has become the most important (and in demand) guitarist to emerge from Scandinavia since Terje Rypdal in the early 1970s.
Marilyn Mazur is best known today as the flamboyant percussionist at the heart of the Jan Garbarek Group (Twelve Moons, Visible World), speeding around an ever burgeoning array of multi-ethnic metal, wood and clay instruments. Garbarek: "Marilyn is like the wind. An elemental force." Prior employers Gil Evans, Wayne Shorter, and Miles Davis have similarly valued her pervasive, penetrating percussion. Marilyn drew up the blueprint for Future Song - an American-Danish-Nowegian-Yugoslavian musical alliance - while working the stadiums with Miles in 1989 and the group has survived with intact personnel for eight years. Mazur says: "The music is intended to be like a living organism, expanding through specific dramatic sequences into more open structures. It represents a wide dynamic spectrum, explores many emotions."