Charlotte Schneider and Guy-Baptiste Jaccottet have been exploring since 2017 the multiple sounds offered by their combined instruments. These curious and playful musicians explore a repertoire stretching from the 16th to the 18th century, transcribing and arranging pieces for their duo. As a result, their music lies at the crossroads of historically informed performance practice and the concrete reality of instruments and places.
Continuing the series ‘Bach’s Contemporaries’, this volume concentrates on the wonderful music of Johann Schelle—a cousin of Kuhnau (another composer featured in this series). This immensely striking sacred music by Schelle (one of Bach’s predecessors in the post of Kantor in Leipzig’s famous Thomas Church) brings together a top-flight group of soloists and a large and colourful assembly of instrumentalists, and presents remarkable and splendidly varied music which not only stands up proudly in its own musical right, but also greatly enhances our understanding of Bach’s own sacred writing.
…The mischievous “I’ll show you mine” Cover, perhaps best stored spine outwards, should not be allowed to detract from a musical treat.
”Our Love to Admire” is the third studio album by the American post-punk revival band Interpol, released July 10, 2007 on Capitol Records. Recorded at Electric Lady Studios in Greenwich Village and The Magic Shop Studios in New York City, the album is the group's first to be released on a major label. The album has scored Interpol's best chart positions in their career, debuting inside the top five of the UK & US album charts, reaching number-three on the European Albums Chart.
Master cellist Heinrich Schiff gives the premiere of the Cello Concerto - an intense, brilliantly scored work coloured variously by soprano sax, bongos, congas, and organ as well as banks of strings - written for him by Friedrich Cerha, at 81 widely considered Austria's greatest living composer. It is paired with Franz Schreker's Chamber Symphony, and both are superbly interpreted by conductor Peter Eötvös and the Netherlands Radio Chamber Orchestra.
"PentaTone have definitely established a winning formula for success with the ten Wagner operas they are currently recording in association with Deutschlandradio Kultur in Berlin. (…) The presentation of this set is excellent. Thankfully, it includes a well translated German/ English libretto (unlike the travesty supplied with the Bychkov version), a thought provoking essay on the opera by Steffen Georgi and full artist biographies. Though my own allegiance to the Bychkov version among recent recordings remains steadfast this Janowski account is unlikely to disappoint. It will surely be welcomed by avid Wagnerites and makes one eager for the next issue in what is proving to be a superlative series." ~sa-cd.net
"PentaTone have definitely established a winning formula for success with the ten Wagner operas they are currently recording in association with Deutschlandradio Kultur in Berlin. (…) The presentation of this set is excellent. Thankfully, it includes a well translated German/ English libretto (unlike the travesty supplied with the Bychkov version), a thought provoking essay on the opera by Steffen Georgi and full artist biographies. Though my own allegiance to the Bychkov version among recent recordings remains steadfast this Janowski account is unlikely to disappoint. It will surely be welcomed by avid Wagnerites and makes one eager for the next issue in what is proving to be a superlative series." ~sa-cd.net