Henning

Henning Fuchs is a composer from Germany. His music has been broadcasted and performed worldwide. 2019 saw the light of Henning's solo debut "A NEW BEGINNING". 2020 Henning released his second album GAIA – an homage to Mother Earth featuring internationally acclaimed musicians such as the Chinese Erhu Master Guo Gan, Islandic Violinist Elfa Rún Kristinsdottir, Cello player Boram Lie, Flamenco Guitarist Julián Olivares, David Kuckhermann (Percussion) and many more… In the same year he has been nominated as "Composer of the Year" by the German Classic Award "Opus Klassik".

Geir Henning Braaten (born 29 October 1944 in Odalen) is a Norwegian pianist. In Oslo, he studied with Nicolai Dirdal from age five, and later with Robert Riefling, both at the Oslo Conservatory of Music.

Erich Kästner wrote the poetry cycle ”The 13 Months" in 1955.

Erich Kästner wrote the poetry cycle ”The 13 Months" in 1955.
In it he describes the 12 months of the calendar and in a thirteenth poem a fictitious “leap month”, which he then rejects again.

"Henning Sieverts is a brilliant bassist who has the stylistic means of new music as well as those of jazz at his disposal.“ (frankfurter Allgemeine)

PLAY! is Henning Ullén's second album under his own name. Together with Mauritz Agnas on double bass and Nils Agnas on drums, the trio offers music with a melancholic undertone, yet infused with a joy of playing. The title of the album, also the title of the second track urges us to play, emphasizing the importance of collaboration and improvisation in its simplest form. On the other hand, the music is rich, oscillating between well-composed, sometimes complex passages and freer sections that leave room for improvisation. The album is infused with a driving high-energy vibe. At times, the boundaries blur between what is composed and what is improvised. In addition to the trio format, the album also includes some shorter solo improvisations where Ullén for the first time on record presents his solo-playing.

As a teenager, Henning Fuchs wanted to be a Greenpeace activist, impeding ships, drills and rigs from assaulting earth. But, dissuaded by his high- school biology grades, he chose to become a composer instead.

Mark Henning bails out of the world of club music with this joyous exploration of one of his favourite genres: that rich world of vintage sci-fi and horror movie soundtracks that everybody loves these days. No Origin is a fourteen track trip through the spacey sounds that Mark hears in his head: sounds good in there.

“Philipp Schiepek achieves great tension with comparatively few notes. It’s about beauty of sound and sensuality of sound.” Matthias Wegner, Deutschlandfunk Kultur