This album, which catapulted Polish composer Henryk Gorecki to into the international spotlight, takes texts born in pain and turns them into statements of affirmation through the use of music that ebbs and flows in mystic minimalism. The clear voice of soprano Dawn Upshaw, singing the Polish texts, is a large part of the success of this particular recording, but the music, contemporary without either dissonance or movie-music mawkishness, clarifies and uplifts the words. This is a moving and essential element of the modern repertoire.
Composed in 1976, Górecki’s Symphony No. 3, “Symphony of Sorrowful Songs,” describes the anguished, raw pain of separation and death with music of a timeless, almost primitive quality. Its performance demands an emotional directness from both orchestra and soprano soloist, and the Polish National Radio Symphony Orchestra, conducted by Krzysztof Penderecki, is in searing form alongside the fragile, unvarnished voice of Beth Gibbons, singer of UK trip-hop pioneers Portishead. Gibbons intones the tragedy of each movement with an earthbound purity and honesty, and her voice carries aloft the almost unbearably powerful second movement. That this is a live recording makes her performance all the more impressive.
Composed in 1976, Górecki’s Symphony No. 3, “Symphony of Sorrowful Songs,” describes the anguished, raw pain of separation and death with music of a timeless, almost primitive quality. Its performance demands an emotional directness from both orchestra and soprano soloist, and the Polish National Radio Symphony Orchestra, conducted by Krzysztof Penderecki, is in searing form alongside the fragile, unvarnished voice of Beth Gibbons, singer of UK trip-hop pioneers Portishead. Gibbons intones the tragedy of each movement with an earthbound purity and honesty, and her voice carries aloft the almost unbearably powerful second movement. That this is a live recording makes her performance all the more impressive.
Henryk Mikolaj Gorecki (1933–2010) achieved an international success in the mid-1990s, with his Symphony No. 3, “Symphony of Sorrowful Songs”. Since then, Gorecki’s name has been associated almost exclusively with this piece. However, his music is much more than this one brilliant work. Gorecki never looked at musical fashions, but consistently created his own sound universe. In the 1980s Gorecki, feeling misunderstood, stepped back from the official concert life in Poland. He reached out to simple folk and church melodies, making their choral arrangements.
The classic music station Catalonia Música celebrates its 30th anniversary. This 3CD edition brings together thirty years of history, not only of the station but also of other musical events that have taken place over these years, as well as news from other areas, which have as much to do with the art as with everyday life. As a musical memory, it offers a collage of headlines that summarizes three decades: each record includes ten years: from May 10, 1987 to May 10, 2017. The listener will travel through more than thirty large-format recordings. historical value, accompanied by some of the most reputable interpreters and directors: Pablo Casals, José Cura, Joyce DiDonato, Angela Gheorghiu, Henryk Gorecki, Nikolaus Harnoncourt, Herbert von Karajan, Rafael Kubelik, Alicia de Larrocha, Sir Neville Marriner, Yehudi Menuhin, Anne-Sophie Mutter, Riccardo Muti, Royal Philharmonic Orchestra, Mstislav Rostropovich, Elisabeth Schwarzkopf, Mark Turner, among others.