This 2CD set features the brilliant pianist Bill Evans with bassist Marc Johnson and Joe LaBarbera on drums live in concert in Buenos Aires, Argentina on September 27, 1979. A great deal of music by this trio has been released and I am not familiar with most of it, but the music on this CD is so good that I doubt there are many recordings of this group that are significantly better. If you like the 2 volumes of the Paris Concert you will like this. In fact I think it is a bit superior to those recordings.
Mammal Hands are a trio of like-minded musicians: Nick Smart piano, Jesse Barrett drums and tabla, and Jordan Smart saxophones. Floa is their second album for Gondwana Records and in the 18 months since their debut, Animalia, they have carved out a growing following both here and abroad for their hypnotic fusion of jazz, folk and electronica: winning fans from Bonobo and Gilles Peterson to Jamie Cullum. Landmark live performances have included shows at King's Place in London and the RNCM in Manchester, as well as a barn-storming debut at the Montreal Jazz Festival (where they debuted as part of the BBC Introducing showcase).
Italian death metal unit Hour of Penance is back with a brand new album titled Misotheism due out October 25. The band recorded drums for the album at Bloom Recording Studio; guitars, bass, and vocals Kick Recording Studio with Marco Mastrobuono who worked on their previous two albums; and mixed and mastered the album at Hertz Studios (Behemoth, Vader, Decapitated).
Change, or at least an evolution of the Halsall sound, is very much in the air on this wonderful new record. Credited to Halsall and the Gondwana Orchestra there is a feeling of expansion of the musical palette, further steps on a satisfying journey towards the destination identified on 2012's transitional Fletcher Moss Park. That earlier record showed the way that Halsall was looking to evolve and shift his musical path—it began with pieces recorded in 2010 around the time of the Gilles Peterson Worldwide award winning On the Go, took in a couple of piano and bass-less tracks from a more experimental July 2011 session and ended up with a couple of tracks recorded in April 2012 by something broadly resembling the line-up for When the World Was One.
Essential: a masterpiece of progressive rock music
This was the first GE album I came in contact with back then. And it was quite a shock, I must say.
Composer, trumpeter, producer, DJ and founder of Gondwana Records, Matthew Halsall has always worn many hats. But at the heart of everything that he does Halsall is first and foremost an artist and a musician. A trumpeter whose unflashy, soulful playing radiates a thoughtful beauty and a composer and band-leader who has created his own rich sound world. A sound that draws on the heritage of British jazz, the spiritual jazz of Alice Coltrane and Pharoah Sanders, as well as world music and electronica influences, and even modern art and architecture, to create something uniquely his own. A music that is rooted in Northern England but draws on global inspirations.