Horace Silver 1972

Recorded in 1972, a decade removed from the last of Horace Silver's classic quintet recordings, In Pursuit of the 27th Man has never been regarded as one of the pianist's prime releases, which likely explains why Blue Note took this long to make it available on CD. But the album, which moves gracefully between quartet performances featuring vibraphonist David Friedman and quintet numbers featuring the young Brecker brothers (Randy on trumpet and Michael on tenor saxophone), has its distinctive charms. While maintaining the crispness and sense of adventure with which he has always signed his music, Silver and bands ease through some of his most appealing melodies. Songs such as Weldon Irvine's "Liberated Brother" have the early '70s written all over them, but even in those cases their light-handed lyricism and boppish vitality keep them fresh. Friedman's idiosyncratic sound adds a sense of mystery to the music, which, with Bob Cranshaw on electric bass and Mickey Roker on drums, never lacks for a solid and soulful center.

Recorded in 1972, a decade removed from the last of Horace Silver's classic quintet recordings, In Pursuit of the 27th Man has never been regarded as one of the pianist's prime releases, which likely explains why Blue Note took this long to make it available on CD. But the album, which moves gracefully between quartet performances featuring vibraphonist David Friedman and quintet numbers featuring the young Brecker brothers (Randy on trumpet and Michael on tenor saxophone), has its distinctive charms. While maintaining the crispness and sense of adventure with which he has always signed his music, Silver and bands ease through some of his most appealing melodies. Songs such as Weldon Irvine's "Liberated Brother" have the early '70s written all over them, but even in those cases their light-handed lyricism and boppish vitality keep them fresh. Friedman's idiosyncratic sound adds a sense of mystery to the music, which, with Bob Cranshaw on electric bass and Mickey Roker on drums, never lacks for a solid and soulful center.

Following the subtly modern bent of much of The Cape Verdean Blues, Horace Silver recommitted himself to his trademark "funky jazz" sound on The Jody Grind. Yet he also consciously chose to keep a superbly advanced front line, with players like trumpeter Woody Shaw (retained from the Cape Verdean session), altoist/flutist James Spaulding, and tenor saxophonist Tyrone Washington.

Recorded in 1972, a decade removed from the last of Horace Silver's classic quintet recordings, In Pursuit of the 27th Man has never been regarded as one of the pianist's prime releases, which likely explains why Blue Note took this long to make it available on CD. But the album, which moves gracefully between quartet performances featuring vibraphonist David Friedman and quintet numbers featuring the young Brecker brothers (Randy on trumpet and Michael on tenor saxophone)…

Claude Bolling is a classical pianist who demonstrated an affinity for jazz with numerous recordings in crossover settings. But this 1972 session recorded for Phillips is strictly a solo piano affair in which Bolling salutes the greats of jazz piano, including Duke Ellington, Fats Waller, Thelonious Monk, Willie "The Lion" Smith, Jelly Roll Morton, Earl Hines, Erroll Garner, and Horace Silver. He primarily sticks to a stride piano setting, which gives a whole new flavor to Silver's "The Preacher," while his interpretations of the works of stride pianists like Smith are technically polished but seem just a tad mechanical, lacking a true improviser's touch…

Not everything Latin Rock sounds is Santana
El Chicano's "Celebration" the third release for Kapp Records continues with it's infectious latin sound. The two former LP's "Viva Tirado" and "Revolucion".

Hideo Shiraki - Hideo Shiraki Box (2007) {5CD Box Set Think! Records Japan Mini LP Limited Edition rec 1958-1962}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.58 Gb | MP3 @320 -> 755 Mb
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© 1958-62, 2007 Think! Records / King Record Japan | THCD-064~068
Jazz / Hard Bop / Groove / Drums

Hideo Shiraki (born 1 January 1933 in Tokyo; died 31 August 1972) was a Japanese jazz drummer and bandleader, best known for his work in the 1950s and 1960s. Famed earlier on for hard bop, he later explored world music and became a pioneer of fusing traditional music forms with jazz structuring. Shiraki emerged in the new Japanese jazz scene of the 1950s that grew out of the influence of the US occupying forces. He studied percussion at the Tokyo School of Fine Arts and, during this period, played with Masashi Nagao's Blue Coats.