Unlike the slew of legendary acts – including My Bloody Valentine, Boards of Canada, and Daft Punk – who surprised fans with new albums in 2013, Pixies emerged from their lengthy recording hiatus more cautiously. By releasing a series of EPs that were eventually collected as Indie Cindy for 2014's Record Store Day, the band eased fans into their new material – and, perhaps, gave them time to lower their expectations. Indie Cindy may be most notable for illustrating the pitfalls genre-defining artists face when attempting a comeback: Pixies had such an impact on how indie rock sounded in their wake that upon their return, it's almost inevitable that they sound like they're aping themselves.
It is a strong piece of AOR & rock, with an emphasis on more keyboard influenced songs and an modern, but 80's influenced sound.But the production is with 90's values, insuring that this does not sound dated in any way. Any fan of Escape's back catalogue should be pleased to add this to it.Steve Newman produced this album himself, which he has done a good job of. His voice is one I can't pigeon hole, so I will just say that it is quite a deep voice and capable of holding a good melody.In typical grand rock style, the album opens with One Step Closer.This sounds remarkably close to the style of The Distance.
2005's Playing the Angel proved to be one of Depeche Mode's strongest albums - the combination of Ben Hillier's production, the emergence of David Gahan as a songwriter following his initial solo effort and a clutch of striking songs that openly embraced arena-level bombast following the much more subtle Exciter resulted in wide praise and a well-received tour. As a result - especially given the return of Hillier, the first producer to work on two Depeche albums in a row since Flood's heyday with Violator and Songs of Faith and Devotion - Sounds of the Universe was initially suspected of being Playing the Angel redux, something the swaggering lead single "Wrong" didn't undercut at all. After all these years, though, Depeche can still pull out surprises, and what's quite astonishing about Sounds is how they've returned to the equipment and textures of their early-'80s work…
2005's Playing the Angel proved to be one of Depeche Mode's strongest albums – the combination of Ben Hillier's production, the emergence of David Gahan as a songwriter following his initial solo effort and a clutch of striking songs that openly embraced arena-level bombast following the much more subtle Exciter resulted in wide praise and a well-received tour. As a result – especially given the return of Hillier, the first producer to work on two Depeche albums in a row since Flood's heyday with Violator and Songs of Faith and Devotion – Sounds of the Universe was initially suspected of being Playing the Angel redux, something the swaggering lead single "Wrong" didn't undercut at all.