I’m Not In Love, The Essential 10cc

2016 three CD collection. 10cc's witty and satiric brand of tongue-in-cheek art pop sustained their reputation for being poignant songwriters for the entirety of their existence. They have notched up over 15 million album sales in the UK and frontman Graham Gouldman has been the recipient of three Ivor Novello Awards for achievements in songwriting. This collection features two #1 hits and a selection of prime cuts taken from across a very strong back catalog and features rare live versions of some of the band's most well-known tracks.

In a 7 year period from the autumn of 1972 to the winter of 1978, 10cc were rarely ‘off air’ as a series of singles repeatedly crashed the UK charts. With 11 top 10’s of which 3 hit the top spot,10cc established themselves as a stellar pop band capable of producing memorable, yet stylistically diverse songs with broad appeal. Formed in Stockport in 1968, the ability to create these very different yet equally catchy songs came from the fact that unlike most groups who’d usually have one songwriter or song-writing team, within 10cc there were two teams. Kevin Godley and Lol Crème were essentially more experimental and interested in the visual arts as much as song, whilst Graham Gouldman and Eric Stewart were predominantly ‘pop’ writers. All were multi-instrumentalists and competent producers so in short each could very much ‘hold their own’ when it came to making music.

In a 7 year period from the autumn of 1972 to the winter of 1978, 10cc were rarely ‘off air’ as a series of singles repeatedly crashed the UK charts. With 11 top 10’s of which 3 hit the top spot,10cc established themselves as a stellar pop band capable of producing memorable, yet stylistically diverse songs with broad appeal. Formed in Stockport in 1968, the ability to create these very different yet equally catchy songs came from the fact that unlike most groups who’d usually have one songwriter or song-writing team, within 10cc there were two teams. Kevin Godley and Lol Crème were essentially more experimental and interested in the visual arts as much as song, whilst Graham Gouldman and Eric Stewart were predominantly ‘pop’ writers. All were multi-instrumentalists and competent producers so in short each could very much ‘hold their own’ when it came to making music.

Best remembered for his mid-'70s smashes "Lonely Boy" and "Thank You for Being a Friend," pop singer/songwriter Andrew Gold was born in Burbank, California on August 2, 1951. The son of composer Ernest Gold (who won an Academy Award for his score to the film Exodus) and vocalist Marni Nixon (the singing voice of Natalie Wood in West Side Story and Audrey Hepburn in My Fair Lady), he first attracted attention as a member of the Los Angeles band Bryndle alongside Kenny Edwards, Wendy Waldman, and Karla Bonoff; in 1973, both Gold and Edwards joined Linda Ronstadt, appearing on classic albums …

When the Hollies – one of the best and most commercially successful pop/rock acts of the British Invasion – began recording in 1963, they relied heavily upon the R&B/early rock & roll covers that provided the staple diet for countless British bands of the time. They quickly developed a more distinctive style featuring three-part harmonies (heavily influenced by the Everly Brothers), ringing guitars, and hook-happy material, penned by both outside writers…